07/01

trilobite lover

this is me crawling back home--
my Cambrian 
blood all coated in diamonds--
i dripped with water & prehistoric
ankles-- the sun 
skidded of the glint on
our backs--
we held onto a notion of
a memory-- we were keeping as 
a secret from all
the living creatures who
believed they would someday live
as humans-- that hope for bone &
warm knees & feet
i am taking off my skeleton yet again
for you-- this is a reminder
you were loved 300 million
years before you left foot prints
on that beach in virginia
where we mistook jelly fish for
trash bags on the shore--
we ate apples & buried the cores 
in a prayer for doomed trees to 
make roots as an act of protest--
i peel off my body as careful as 
the lid of a mason jar-- a thumb 
print in the wrinkles of a beach-- 
we're older now, you know?
you kiss my wrists & i scurry frantic 
into stillness-- you lover
was a trilobite-- eternal & 
ancient & coursing with blue blood
like the horseshoe crabs--
my eyes were wedding rings
i used to look myself
into the sun as you came into focus--
trilobites have telescopes-- 
kaleidoscope vision & in front of me
you become nothing more
than a long glace from the sun--
you contort in the refraction
of light-- you ask me why i keep
my eyes so full of crystal-- so
full of sun-- so full
of thumb prints & i can't hear you
over the loud rays of sun--
on the beach we loved like
arthropods-- came home to red flesh--
boiling & stinging as we 
made love like thumb prints on
a couch-- i lost my wedding ring
eyes in between the seat cushions or
did i bury them with the rest of
my left over skeleton?
either way i got rid of them so
there would be no more promises for
us to make--
i would crawl back again into
the quiet hum of the Cambrian
moon-- a patient mother 
waiting for creatures on
earth to finally learn how to 
sing-- she plays the crystals of
my eyes like a harp--
she asks where my boyfriend is--
the one i loved as a human--
i tell her i am here as a trilobite--
here to make memories & grow
eyes of crystal-- that i'm not
here to dig for love
in seat cushions-- 
i rub aloe on my red skin--
she pulls the waves
in & out like a sigh or a
promise or a wedding bell 

 

06/30

a backstroke through my mother's closet

i had to be patient--
wait until my parents had cleared 
the house on a summer thursday morning--
maybe it was fresh & june-- when
everything still seemed like
it was in the process of growing--
front lawn grass unruly as
my thickets of scraggly 
leg hairs & peach stubble came to
haunt my upper lip just like my mother--
i stand at the threshold of her closet--
wild & alone & i start by
swimming in one of her stretchy-- brightly
colored dresses-- the ones she wears
to the newsroom-- i flap my arms like
a lopsided duck & try to pull the 
garment to fit me--
next i let her heels make row boats
of my small feet--
shuffle back & forth at the foot
of her unmade bed-- a child's cat walk--
i find her make up bag & draw hearts
on the backs of my hands in lipstick
before rubbing a patch of my skin
with concealer-- i borrow the face
of one of her dolls waiting in their
boxes in the attic--
i check to see if anyone is watching before
i open the top drawer of her 
dresser-- the one with underwear & bras--
she mostly has boring ones-- grey & nude &
white & black with drooping waste bands--
i hold them up to my waist
to see how close i might be to becoming my
mother-- i swim in her outline-- turn to 
her full length mirror & try to fill it
with my small thick body--
my favorite item of her clothing was 
the lacey bras & another afternoon
i would ask her why people wore
such pretty things as underwear if
only they were going to see it--
she told me that it makes people
feel beautiful on the inside-- i pick
up a red lace one & dangle it from one
strap because it's too big
for me to pretend to wear-- years later
my mother would throw out any frilly underwear i got--
stuff my thongs in the trash can in laundry
room hoping i would think the washing machine
swallowed them-- it takes time to 
try to stop swimming in the mirrors of 
other people-- wipe the lip stick hearts
from the backs of your hands-- 
how many hours did i swim-- back stroke
in brown heels--
in 6th grade kids find a million
reasons to open up each other
like tasty cakes wrappers-- they used
to say i was the girl who's mom had
a beard & that i was going eat myself
until i filled the brims of every floor length
mirror--
nothing has ever hurt more
than hearing other kids make fun
of a body you swam in-- i came up
from air in my parent's empty bed room--
i wondered if i would grow a full beard 
& if when i shaved they would all 
still know--
i felt so breakable as i laid looking
up at my mother's mauve ceiling--
one brown heel & floating on the
flower print tunic 
dripping from my body--



 

06/29 *TW suicide*

 

for the funeral planners

this poem is for the funeral 
planners like us--
the ones who plant hydrangea bruises--
the ones who write suicide 
notes in the morning
fog of car windows-- wipe
them away with our sleeves--
keep them for ourselves like
smeared lip-stick mouths on
the backs of our hands--
this is for the ones of us 
who let their turtles
run away wearing backpacks bulging with
 goodbyes
--this is for the people 
who watch snakes
slip into their cellars--
mouths full of yellow apple &
apology--
this is for the ones of
us who write our own elegies
other people will deliver--
the ones of us 
who imagine 
our mother's final words-- 
as empty as the frantic space 
in between the spokes of bike
tires-- this is for the funeral 
planners because we plan
other things too--
we plan lemon cupcakes
& walks on the bowed
heads of rocks
in the stream behind our house
-- we plan 
country callous bare feet roads-- 
we plan midnight bowls of 
fruit loops & we plan 
bouquets full of wildflowers
to leave on the kitchen table
for when our mothers come home
from work--
we plan edamame plants roots up from
the ground & sometimes we plan 
casual nights in the coffin--
the silk sides cradling us
gentle like a purple blown glass
vase-- i'm in the constant
process of finding
flowers to fill myself with
other than hydrangeas--
there's too many bruises to
fit inside my mouth--
swallow petals of blue & bone--
sometimes when i visit my parent's
house my uncle or my father
with fill my old room with fresh cut
flowers-- daffodils & tulips
& poppies--
they use beer bottles
& diet soda cans as vases &
i laugh alone seated on the edge of
my bunk bed because i live like the
cut throats of flowers--
a radiant burst of life with no
legs-- no roots to make fists with--
it is a tired thing to plan so many
funerals & cancel them--
take the invitations out
of mailboxes & toss the hydrangeas
out your bedroom window--
scrape the elegies away
from the inside of your forearms--
we plan mornings & breakfasts 
of soupy oatmeal & we plan 
tired golden delicious
apples-- 
we plan matching socks 
& our favorite pair of underwear with
the dinosaurs on it--
this poem is for the people
who are strong enough to
unplan funerals-- we live
briefly from vase to vase
& sometimes get our necks
caught in diet soda cans-- 
bloom brief with me

 

06/28

egg baby lullaby 

when we were in 6th grade 
we learned the important things
in home ec class--
sitting at the wobbly front tables
everyone's grandmother
taught us how to sew a straight
line of stitching up the 
side of our draw string bags--
the boys on either side of me
laughed & found the pulsation of
the needle to be somehow sexual--
because boys will always find a way
to make a rape joke-- especially
if they feel any ounce of their 
masculinity is in question--
they held up their finished
bags & dubbed each other
fabulously "faggety"-- wrapping
the draw strings around their heads
while our grandmother-teacher buried
her green-rim glasses in 
a martha steward magazine-- a special
on the best preparation methods for eggs--
i pushed the peddle slow so
that the needle plunged into
the fabric-- measured & deliberate--
i fumbled with my thimble
shields & the machine hummed
a sort of lullaby to me--
it sung that if i
was quiet enough i would wake
up to find myself in a house exactly
like the make-shift kitchens
in the classroom-- white
stoves & what tables & white counters
& white ovens--
there would be a newspaper
bearing husband there waiting for
his morning sausage, eggs, &
hot coco (from the microwave)--
i would wear thimbles so nothing
would have to be real--
rub the pan with butter before
climbing inside--
on the table in a bassinet 
would sit my egg baby--
we were all the parents of hollowed
out chicken eggs-- drew features on
their smooth white faces 
so that they would smile at
us when we tried to forget them--
some schools use sacks of
flour or baby dolls but
our egg children reminded us
how fragile we all are &
how likely our real children would
soon be swallowed by a swell
of october wind--
i found myself getting
lighter & lighter with my child
on the kitchen table in a crib
made from an old easter basket 
stuffed with blankets & cotton
balls-- from the bottom of
the pan next to the links
of turkey sausage i looked 
up at a neon heaven & that was 
when i first heard her cry--
throat choked in yolk--
this is what we will learn to become
& my husband will page through
a newspaper & pretend i'm not
laying in the bottom of a black
metal pan browning in butter 
& pretend the egg baby isn't 
crying next to him on the kitchen 
table--
i'll eventually get up to
serve him breakfast & he'll throw
the sausage on a potato roll & 
kiss smack us goodbye--
pull a drawstring bag over
his he & laugh at how faggety 
kitchens make him feel & once
he has left i will sit back down at the
sewing machine-- begin again from
buzz-hum lullaby until the 
egg baby sleeps again--
i will have left the stove
on & my sausage will be charred
next to where i rested in the bottom
of the pan--
we learned the important things
in home ec class-- like all the words
boys would conjure to treat us
like counter tops & the handles of
pans while they put their
draw string bags on their heads
& our grandmother will again turn
the pages of her martha steward magazine to
a recipe for deviled eggs &
each of us girls in our
little kitchen play pens will 
place our egg babies in the palm of
our hands & resist every urge we have
to squeeze them until they break-- 


 

06/27

hot metal ladders into the
bee-sting sun

i am the ghost body 
swaying
in the big-kid swings-- 
we all thought we could kick
above the trees &
we were all scared of loosing
control of flight & flipping
over the metal bar at the top--
all of our fathers pushed us
higher & higher & higher
& we closed our eyes & for a moment
were hot & deliciously angry 
enough to be the sun--
they have been taking apart
the park i grew up in bone
by bone-- & with each vertebrae
of monkey bars pulled loose we're
losing chances to crawl
back up to the sun--
i was 6 the first time
i climbed all the way up the
rotini metal slide-- cork
screwed into the jugular of
the fever sky
& i felt trapped-- hot
throat to slide down on or
the metal stairs the whined
like the faces of snare drums
when you walked on them--
drummer girl made a rhythm
to rock each cluster of metal bone--
the merry-go-round &
the straight-teeth jungle-gyms--
above me the sky was angry 
like the fresh wound of a bee
sting on my stomach & i 
felt like i could just stay there--
yank monkey bars from the clouds
& sway on rungs over
the entire town--
take a rest on the roof-top 
of the house where we used to live
on main street-- the one
with the little balcony where
my father taught me how to 
count the lightning's distance after
if roars--
they taking apart this play ground
bone
by stubborn bone & when i return
the metal slide is nothing but
an obelisk & the trees mourn the
roller-skating rink
where all the stray cats in the town
used to live beneath & the
park still wears the scattered tattoos
of all its lovers on back wall of
the band shell & in each cement bathroom
stall-- on a tree near the baseball field
my brother & i carved our
initials with a dull pencil into a wooden
poll holding up the wires feeding the stadium
lights-- we wanted to be part of this
place-- wanted to remember what it
was like to be able to be tall
enough from the top of the slide
to dangle so precariously above
town-- our father called down from the
foot of the slide & told us we could do
it-- we could let loose our bodies
& be swallowed--
the sun was angry & alone that night
that the park lost most of its bones
& now when i return i mourn
her body with the trees & the ghosts
of all the brothers & sisters
& fathers & babysitters & bathroom stall
lovers & band shell children attempting
to last forever--
write me a song for snare drum face--
i'll hum it when i climb to sit
on the bar above
where the ghost children sit
in big-kid swings-- push me higher
push me higher
i want to be part of the sun--
i want to slide down
your throat like a bee sting--


 

06/26 (afternoon fragment)

DVD player phone call

Oh no really—

Yeah—ya—

I can try—

Yes—now hold on—

There’s a green button

What’s that

Okay

A green button

Go back and hit where the tray came

Out

Hit the black box

The black box

Upper left hand corner

Tell me when the tray comes out

…

…

Okay

Good

Push the tray back in

Hit the green button

Up on the right hand side

Ya see it?

Hit that hit that-

No

Okay but hit that

Got it?

Okay—

No—not that remote—

Okay okay

Honey

No

Okay

Bye bye dear

yes i’ll call then

06/26

the thief of left socks 
  
if you're wondering where all
the left socks go
i'm here to confess anonymously
that all these years it has been
me all along--
it wasn't an easy choice of
profession but someone
has to do it--
you see i learned mischief
in my father's rocking-chair
stories & i found that i could
live everywhere & no where 
all at once--
i open old yellow phone books
collecting mildew on 
front porches & pilfer 
addresses-- ball them up 
tight & swallow them like wads 
of pink chewing gum--
these places to become my homes--
i follow my instinct of place to
i sleep beneath the restlessness
of another dryer--
why the left one? you ask
because it's the first question
most people ask if they have
a chance to meet me--
i don't have a real reason but
i think that absurdity is
the only & best reason for
action-- on nights when i'm feeling
alone i will take out my back pack
full of all your left socks &
i'll lay them all out under a 
belly of moon--
there is, of course, the polka-dot
tube sock from michigan &
the one with the schnauzers
from illanois &
i line them up in tandem
like waltz partners--
my home state of pennsylvania 
has delivered me many 
white & black fruit of the loom 
with the heel chewed through
from standing or from 
walking up & down a gravel road--
i like to put them on &
feel my own heels 
naked in heavy august air--
summer has the best months 
for sock theft-- people
are more careless-- 
i swipe addresses
off mailboxes while everyone's too
busy finding orion's belt every night
because it reminds them that
there's a waist big enough to
lock them into a night sky--
you wouldn't notice me 
if you passed by me in the 
local library--
i'm always sitting by
the pile of atlases with a 
puffy back pack brimming 
with left socks tucked nicely away
so as to not give away my identity--
i page through book after book
of oceans-- of rivers i try to 
untangle from the pages
& stuff into my pockets--
it's most thrilling to collect
all the places you'll never go to
just like i collect the lives i'll 
never get to live in every left
sock i take from the 
hearth of a dryer--
it's never been out of malice--
i never meant for you to feel uneven
or uncertain but this
is what it take for me to feel human
again-- if you want to join
me i'm spending the night
beneath your dryer in the clamor 
of the machine-- waiting for the right moment
to take just one for the collection--
if you want to trade i've been
looking to part with this toe sock
from new york--
its reminds me too much of sleep overs--
& too much of addresses that were nearly 
too heavy to swallow--
as for me i go barefoot--
i got to feel 
the dew-softened soil beneath my
toes-- dig my whole feet into
the sandboxes & the ocean bites
each of my toes one at a time--
someone else like me took my left socks a
long time ago--
i hope i meet them someday--
maybe i will crawl under the dryer
to find them there too or we will reach 
for the same atlas of middle eatern
europe & blush & pretend not
to know what each other is doing there--
next time you lose a left sock
don't think of me--
this is our secret-- i promise to
keep it safe-- to wear it in honor
of it's foot--
to look at it only by the lonely
light of a moon when i lay them all
out to dance along & together
& so wistful in their emptiness
 



 

06/25

the evacuation plan

when i was in middle
school & trying to find
a way to evacuate
my own body i would 
walk around the block 
past the soy bean fields--
once in awhile
no cars would pass by & 
no one would make rustling 
in their backyards or
populate their porches with
knees & dirt-road feet
so i could pretend it was only
me here-- that everyone else
had found somewhere else to go--
i guess i just wanted to
find a way to tell you
that if everyone escapes
their bodies i want
you to leave me behind--
i want to be the last one &
i would start by just
walking down the back road again
& listening to the naked necks
of all the old trees whose 
skeletons rotted from the inside
out-- 
i feel myself growing hallow
without voices to fill 
the empty corridors up to my 
wrists-- i husk
myself-- scoop out
enough to be used as wind chime
for only me to hear--
i'd pretend the dotted
yellow lines in the middle of
the road were a balance beam &
i would hide all the places i
never thought i would fit into--
crawl inside the fridge & lay face
up on the second shelf next to 
a pint of blue berries
that my mother would have forgotten
about before the evacuation--
inside everything would be bright &
cold.
i'd wonder what it was
like for everyone 
to leave their bodies behind & 
where everyone had gone without me--
i would wish i'd kept you with me--
just you.
together we could repopulate the
earth with the sound of our
bones turning into wind chimes--
fall slowly like the trees who
gave up their bones-- we'd make
the kind of an unpredictable 
song spurred on by emptying 
yourself out the windows--
each sill filling up with voice--
the voice of everyone holding their
breath & waiting for me to give
up my freckles like a handful 
of sunflower seeds--
in the back yard i would listen
to the ghosts of the pumpkins we tried
to grow that one year--
they would make jokes about how
strange a relationship i have with 
other humans--
a limbo desire to be totally
& utterly alone while also engulfed
in a mouth full of every word ever spoken
into a poem--
i want to know if i'd still write poetry 
if it was only me to haunt this body--
just me here walking ghosts back
into the soy bean field--
i think i could keep writing even
if i forgot what all the words
we'd ever shared had meant-- written
in a language of empty femur &
vacant porch my poetry would
fall heavy out the windows
of the house & shatter in the driveway
like all the promises we 
made to sleep quickly & alone--
this is the evacuation plan--
stay with me-- we can unlearn what
all the words mean & i can teach
you how to depart from a body 
& how to trick the soy beans
into laughing like bells--
we'll bring dirt-road feet back
to the porch & wait
from everyone to return--
coming back to your body is like 
slipping down from the second shelf
in the fridge-- a carton of
blueberries in hand--

 

06/24

it's not the kind of thing we talked about

--my mother said when i asked
her if they had picked out
any other names for me other
than 'sarah'
i guess i had imagined them
with at least a sort of
list-- crossing off ideas
until they circled my name--
maybe it took them hours--
i thought-- passing around
my tulip face into a word--
i asked what i would have been
called if i was born male & 
they said my 'william'
which would become my 
younger brother's name-- 
we were each
other before we shared bath tub
water--
what i didn't ask was 
what they did talk about
if they didn't talk about my
name--
i've tried to figure it out
from old photographs 
of them holding me-- a tangle
of clothe & soft skin--
in the ones from my baptism 
my mother clutches me like
a loaf of French bread--
i know you never expect someone &
maybe they were smarter for
not trying to expect me--
they certainly didn't hope for
an anorexic poet who sits in 
windowsills some nights feeling
heavier than a star but
still somehow in flight--
i trace rings around my body--
the orbital paths of invisible moons--
i like to think that maybe 
my parents thought
about what would happen if they
planted me in the backyard
behind the house on franklin street--
maybe my mother bet i would grown
into a fig tree like the ones 
that had grown from 
her grandmother's veins &
my father would bet i would become
a pear tree--
like the fickle one behind my great
aunt's house-- growing
green pears on a whim
& letting her balled fists rot
into the lawn--
maybe they would
argue over a plot of top
soil & resolve not to plant
me for fear i would be neither a
fig tree or an apple tree
or a pink balloon like the
ones tied around the mailbox 
to walk about baby girl--
i don't want to ask more question--
i prefer my answers from 
pictures where i am small
& neither myself or someone else--
maybe even then i knew i had poems--
but not enough words to put
them into air--
maybe i tried & only clumsily 
crumpled napkins with my slimy 
baby-hands--
when i cried i wonder if they
talked about how quiet i would
be if they had let me become
a fig tree or a pear tree--
i wonder if they talked about
sitting me in a window sill or
worrying about me drawing
the moon closer to the windows
when i was asleep in the crib
with the tall wooden bars--
i have asked my brother if he ever
thought much about his name--
he shrugged & said 
it was just a name & i joked
that it would have been mine
if he weren't always late--
he tells me i can have it & 
i laugh because i already have
enough names & still too many 
to choose from--
my parents planted letter 
in my mouth-- held me close
as a loaf of french bread & 
took down the pink balloons 
tied to the mailbox the next morning
when i was soft as a rotting
pear fist & free
of original sin--

 

06/23

anonymous girl & re-gifting the sky 

by the time you pull the 
wrapping paper off the
sky i will
already be someone else--
you will catch the gift tag
when it falls
down from a cloud--
you might mistake it for
a gum wrapper--
it's from
the anonymous girl who
poured the steam off a tea
kettle to make the night
blush grey--
i kept the stars hidden
so you 
would have a reason to 
take me back.
in the city i don't have
to be anyone-- i can
order a coffee from another
notch in the shin of
a sleeping stone body
& pretend like i have always
stopped there-- 
i can put
more money than i should in
the tip jar as an offering 
to the buildings to ask
them to keep sleeping-- we
need a few more thousand years 
to use their skeletons as a city--
i sit at the counter & 
look out the window like
all people who write poetry do.
i'm stuck because
in my mouth everything rhymes 
with your name--
when you go to bed in june
i'll re-wrap the sky for you--
this time with red & green christmas
print paper & when you open
it the sky will turn
to snow around us--
there will be no falling here--
only waiting for the ground 
to stop snowing too--
you still won't know me
& i'll still drop my names
in pennies on the sidewalk
for other people to find--
oh what are we but anonymous poetry 
on the backs of our own hands--
unwrap the sun i left for you--
peel off the rind-- each
smile in a little juicy clementine 
lobe-- everything good
you have to unwrap--
to you we are still anonymous
& i'll probably recognize 
your face only from where
i sit in the coffee shop
i'm pretending i stop at everyday--
i go here to write love
poems for people i'll never meet--
someone has to be no one today--
it's a terribly brave
things to wrap up the stars
without knowing who
might unwrap it &
who might find my name
at the end of a poem they're
accidentally writing late 
at night or in the morning
when the grey june sky turned 
into snow.