Breakfast with ghosts and the length of the upstairs hallway. My belief in ghosts is as strong as my belief in mornings and my belief in the fog that mocks me like angel's plumage shed underneath the spaghetti-pot lid. For ghosts the fog is as close as they get to kissing-- I was born with long corridors that stretch like waistbands and tube socks-- darken at the edges-- cattle shoots to another time where you and I both considered ourselves alive-- the first ghosts I knew lay in sleep held in the black eyes of stuffed teddy bears-- lurched forward on a self-- fell for me to catch and cradle over my brother's crib when he was still just a stack of jealous pancakes-- ghosts in a cast iron pan. My front porch was a ghost-- cracked spine and finger nails dug into the cancerous earth. I knew the ghosts by name from the factory building. The building had bus-driver eyes and it waited outside the old house on Franklin Street. I learned that some ghosts only have one arm and that ghosts like midnights more than mornings. My grandfather was a ghost before he died-- a silhouette holding a cane like a microphone or a bouquet of flowers. My father has always been like him and I think he doesn't believe in ghosts because he might just be one-- entangled in rusted electric guitar strings in the corner of the attic. My mother believes in angles which are certainly a type of ghost and she believes in milk blood and saints and pancakes. My brother is scared of the end of corridors. We both recite the Our Father under our breath when we go upstairs alone-- we have seen so many ghosts-- so many femurs in the floor boards-- so many elbow door knobs-- our house is the assimilated skeleton of other people's ghosts and our own-- the parts of us that are already faded and sucked up under the lid of the spaghetti pot. Some people think I eat breakfast alone. I've set aside this time for my own ghosts and the ghosts who wander in through the open front door-- they like pancakes and they like to have company in the morning when they remember that one of us is dead. We share coffee and stories about all the journeys we've taken down long corridors only to find the closet at the end of the hall upstairs.