lost items no one has ever actually seen st. anthony of padua, the patron of lost items & amputees, a barren man. i think of him as i watch videos of phalloplasty, the careful folding, oh bloody origami body & the teal doctors playing with stitches. i wonder if he is the patron of absent parts as much as ones removed. a skin graph, make me obelisk, make me a manhood, oh please, oh no. maybe he wandered off in search of someone else, a lover? a pair of earrings? i want to ask if remembers a small girl rummaging in the laundry closet looking for a claddagh ring. he finds the ring & puts it on, silver & glinting in the neon. speaking outloud i tell him that my relationship to my dick is vexed, that sometimes i want one very badly but i can't know for sure why. it was a growing absence, a part i learned that i needed. stuffing underwear with claddagh rings & rubber penises; soft & toad-like. the doctors marvel at their work, they take pictures of the body, they wipe away blood as the camera flashes flicker. i feel my own skin & swallow & Our Father, we don't say that anymore. church doctor st. anthony where are you? i hide my dildos in the hopes that he'll come to find one; in the potted mums on the porch, in a cereal box, stuffed in a rain boot. he must have because they were all gone the next day but we didn't cross paths. i shoo the doctors away from my bed side, they draw lines on me when i sleep, marking where they'll take the skin graph from. i say no & pull the covers over my head.
Uncategorized
cock
hurling rocks at the front door, st peter stood at the end of driveway in his slippers, the last to leave, fury-weeping & red-faced. he remembers the cocks, screeching two times & himself denying god out of fear, hoping his life would burn up in that sun. the roosters lay eggs this time, i fill my pockets with them, they're heavy with all of st peter's guilt, the rocks on which he build churches on which he built a fist-made god on which he clenched body so tight that the fish around his boat turned granite & sank. on which he prayed to wrath until it festered into a body, a throne-man like we all have known, his chicken bones on the dining room floor without the saint women to wash & clean. we throw the eggs, shells smashing on the windows, one shattering glass the glass becoming egg shell, the egg shell becoming stained glass, red & blue & green & autumn yellow-- the cocks laying oranges made of glass-- shards or feathers? our cocks crow, loud & confused. what is a man then if he renounces everything? if his god has been a god of hurt. if brotherhood is gravel & always leaves the mouth dry & bleeding. what is to be salvaged in a screaming cock? i take mine off & put it in the drawer with the rest of the rubber dildos st peter's gets louder & louder & louder-- an alarm clock-- a red-flicker siren, a plague. the roosters eggs are all yolk, no whites at all. i crack one over my head & it runs down my back, griddle sizzling on down spine-- the roosters give me green shiny feathers. i tell them i'm some kind of man, though i'm not sure what kind yet.
10/22
nail polish cracked & seeping on the kitchen floor, the burgundy-- the near-blood tongue. oh poltergeist have mercy on my nail polish, the bottles flung from nightstands & shelves, angry at me for becoming a boy-girl-thing. the nail polishes gritting their teeth-- they snarl & shake. i try to soothe them with sleep over stories of braided fingers & blankets on floor. a purple stain in my parent's bedroom, the bruise where we spilled. it expands, throbbing & vein. i dip my hand in the broken glass & paint, make half-hand prints on the walls as more of them start to hurl themselves, smashing, a jar full of some animal's tears, an animal with no finger nails. i want to pull them out like teeth, instead i take a brush from the mixing puddles of polish, tint each tooth. become fang. become neon blue & sixteen. i grin at the mirror, all wild & color. collecting the brushes, i find them all, picking off the glass, i sneak into bedrooms. painting nails while people sleep, first my father & then my brothers. i choose carefully: black & stop-sign red, brushing even their door knobs as i exit. the whole world wakes up with colorful nails, i laugh at home, safe as a bed could ever be. the polishes still bleeding out on the hard wood floor, a shard of glass in my foot, making nail polish of me, bleeding auburn & green on the sheets. i don't take it out. i don't wash it off. come color, make a fingernail of me.
temples of venus
st. afra smacked, pounding nails into wood & i sleep-walked to where she stood in the yard; her fishnet stockings, halo snapped into headband. about year ago i started touching myself again, first just a fist over top underwear, mortar pestle me, i ground into sand, spilled out my window. she's rebuilding the temples of venus like the one where she used to be a hierodule. a sacred sex slicer, a shrine shaking slut like me. she says she can't believe she ever sealed off her clit for god, for christ. laughing we make sacrifices to her, the love goddess, chopping my dildos sideways & pouring lubes into basins, oh holy mother water. no ivory columns here, just a tree house. a ladder dangling that i climb with my lover. we make sacred our queer bodies. i show her how i touch myself & st. afra dresses us in fishnets, roses blooming where we once had genitals, the scent of evergreen, the altar where our blood comes out white. myrtles pollen pucker our throats, she prays for us, that we find pleasure there.
10/21
delicata I a squash, my thigh & the red cutting board. the big knife & leaning to push it through the flesh. the thwank, the pieces. the scooping out the pulp & threads. squashes sew inside themselves-- they make necklaces from their white-nail seeds. a knot of hair in the sink, a handful in my fingers, i cup them & kiss them before tossing the pale orange innards into the trash. a handful of salt on, the scattering, the hush the grains make as they fall on the grey pan. you say next time we should slice them in half. II delicata squash the size of your jeep, in the driveway, we use trowel & shovel to remove the muck. we have to work fast, the sky turning murky & fog & grey. the flood, a pot on the stove coming to a boil. we only need one canoe though we make two. the soft sweet texture of uncooked squash, a yellow smell like daffodils. i tell you about the butternut squash soup that i'll make when everything is over. we talk orange. we climb in the water craft as the first droplet falls. water, rushing down our street, mailboxes becoming buoys in the pouring. pulling a blanket over us, the rain doesn't fill our bow, we no longer hear it even. kissing each other in the bow, the squash grows back its other half, trapping us. we tangle of necklace, we white seed.
The Will of God
The Will of God i find st mejella on the back gravel road where the neighbors leave out cantaloupe rinds for the foxes & where the black beetles leak from soil. he prays into the corn, shucking ears & hoping to come upon an infant inside one. patron to the unborn, i wanted to ask him if he guards my body each time i buy pregnancy tests & wait for the single line telling me that i'm empty. i draw single lines in the dirt. i ask him if i swallow the peach pits & strawberry freckles & apple seeds if anyone of them will curl up inside me & become human. sinews & stems. i used to be so scared of it, swallowing cum & feeling it thrash like minnows in my throat, the fish assembling into a body. i spit children into napkins. st majella, finding the raw corn, touching the kernels till they become fingers. i ask what he does now that he's left heaven & he says he's been planting seeds. he remembers my mother, her blood clotting like bubblegum when she was pregnant with my brother, the syringes that huddled in her closet like a choir; a medical song. he once revived a boy who fell from the side of a cliff, yes miracle that was me, the stone inside without a heartbeat. a boy in me with a womb around him, a husk. boil us tonight in the heat of the moon. he says that this is all the will of god. my brother & my mother & the organs that grew in me like melon. i slice my stomach i feed the foxes, he sings.
10/20
home video a ghost film reel, flickering across a room. god with his video camera, kneeling & catching each moment. all the tapes stacked in library shelves, the angels, begrudgingly organizing them by name & year. in the summer i got my first video camera, the tapes the size of smores. aimed at billy & ryan i made spirits of onion grass & ukulele. waiting by the desktop computer for the snippets to download, we lived twenty minute lives, as long as the camera could remember. all the while, god standing at a distance, taking his own version of our young bodies, playing them back in his living room that night, all alone. in one frame i aim the camera right at him, staring at each other, only on my recording we never see him, just a rustling in the pine trees, the unshakable feeling of father-ness. long after we're all dead & my own video fragments are crunched down & used for backyard guts he'll take his projector & turn the handle, gently, slowly at first, he'll release our apparitions onto the house on noble street & the space behind the garage where we buried all the goldfish, them too, swimming in the soupy august night. video children, we'll record ourselves again & again, god, sitting in the adirondack chair to watch. i don't know where my old camera went or the little tapes we used. i've checked closets & shoes & under pillows. i like to think that it's continued the work without us, at least for now. growing glassy insect wings & darting from ceiling to ceiling, one eye blaring open, swallowing the house's every movement. not me, not me it won't find me.
Churches of Geel
dymphna oh duchess oh diaphragm, her severed head clutched in her hand. this is for girls who father each other, one to another, a hallway, sinew smothered in sorry. pacing the street, blue called her feet i comb her to couch & she carries me. doll limp & licorice, we share silos of men's lips, wedding fathers, blood slips down legs. i ask her what churches she keeps now the Geel is gone & grieve-able & mad people suck the steeples for air. where heal the girls when god is done? what churches, what churches & lurch the ledge that un-birthed me. when i want to kill myself i say st. dymphna oh darling of depress & derange-- we're chewed up & strange, a church, a church, a pew, a name.
10/19
produce each morning i wake up with a fruit sticker on my forehead. i take it off & leave them on the lid of the trash can. some one is trying to make produce of me, of us. the great big hand gone window-perusing. you have one too; i peel it off. i keep yours for myself. oh pineapple oh pear call me peach-kiwi-orange-apple. all plum-gut & mash, i want to bite my own cheeks-- the sweet flesh beneath i feel pulp-chested & green melon juice by the dim light in the kitchen we eat fruits. you use a fork & i lick the sharp knife to prove i don't mind being pared down. the hands come, each proud from the dark doorway moving over our bodies: touching pinching caressing squeezing thumping gripping i whisper my father was a produce man the hands ask each other is this the fruit i want? i'm sorry i lay apart from you last night, i was thinking about knowing bodies & how occasionally i realize how illegible i am i thought of cutting myself so you could see everything, sick & sweet ripe. plums pound on the side of the house, i'm throwing them, smashing purple purple smashing in what ways do you fantasize about devouring yourself? mine involve fingers & nectar & chewing citrus, wild the fruit sobbing honey down my chest i want to sticky love with you wash me in the sink weight me i want to hit your tongue, a whole island of sugar
10/18
chrism & stir fry & grill breakfast smell has a body & his name is st. lawrence. pacing the house & slapping a spatula against the walls. his entrance makes everyone hungry, it's one of his miracles. he asks why i'm not eating & i tell him it's because i don't know what to make. he says it's time for stir fry, assembling the ingredients by the stove top, i help him, water chestnuts & leeks & bok choy & sugar snap peas. it's late, past midnight & he insists that no one in the world can go to sleep less than full. i don't keep oil in the kitchen so we leave to get the chrism from the glass case at the back of the church. i tell him about the bishop dipping his thumb in oil to make a cross on my head to confirm me. promises to god often taste like spitting oil & garlic. we cry because we're hungry & because we're blasphemous now. i touch his scars: great big grill marks, like a panini press bit his torso-- charred cheeks. he asks if i know what skin tastes like & i tell him that i can make some assumptions. the patron of grilling on account of his own body over the hot coals-- a martyr a martyr we escape with the chrisms, the amber tint to the oil & measure tablespoons into the wok placing his open palm in the pan to prove it doesn't hurt, he invites me to join him so i do & the churning feels cathartic. he bites his thumb but i don't eat my hands because i'm still vegetarian. hush & hiss as he stirs, the rice on the stove. eating at the breakfast table late into the night fork scrape & the big spoon. st lawrence says we still have mouths we still have mouths