I’ll dip
myself in
the yolk of each dawn
soaked into the crunch-crust
veins of greasy toast
skylines– wrapped
diner
napkin
silverware–
I’ll be the soup spoon
if you’ll be the fork and the
knife– we’ll eat evening
with out fingers
and thumbs.
I’ll dip
myself in
the yolk of each dawn
soaked into the crunch-crust
veins of greasy toast
skylines– wrapped
diner
napkin
silverware–
I’ll be the soup spoon
if you’ll be the fork and the
knife– we’ll eat evening
with out fingers
and thumbs.
I won't have to tell you we were only horse shoe crabs. I won't have to tell you where to meet me on the shore because WE already know-- WE have always known. WE have always had the moon carved into the back of our skull by the fingers of a God who etched in blood blue-- he wrote our names there Xiphosura and all of our mothers were swallowed by a wave-- children of the round abdomen of the moon and clasped hands of a wave-- we never had a father-- but God did make our heads thrown on a pottery wheel like bowls to fill with constellations muddied by the last eyelashes of the sun. I won't have to tell you that WE are older than sea shells older than bare feet-- that we have seen the tide come in like a bed sheet and come in like forty lashes until the coast was bloodied and bent-kneed. I won't have to tell you that WE were never more than pottery but we climbed the shoreline like oil painters. Don't move on without me-- I will be waiting on the shoreline-- I won't have to tell you where to meet me WE just know. Do not walk with me back through the thumb prints of our mothers-- WE will meet again when she sets out stars like bread crumbs-- follow them with me and love me there and then fall back into the sea-- serve soup with me from your cranium-- cradle soft knees and channels of salt water blood-- bleed the sky and don't look back.
"Humans-- they're like a disease." --said my boyfriend at the time. He wiped a dark smudge of oil or some sort of grease on his pant leg as we rounded a corner out of port authority bus terminal. He never liked people. He looked at them with the scowling eyes of a gosh hawk-- felt that everyone was parasitic-- parasites of food, of love, and of rivers. I think I've always wanted to prove him wrong-- no just him-- but all the people who think humans are something so distant from creatures just because we learned to make cars and lace up sneakers -- that's where we're mistaken. I will always only find myself as a blood platelet-- push me fast in a taxi cab headed to catch the Bieber at gate 19 or let me drift slow like a paper boat in kayak on the Mullica river in between furrow brow of the Pine Barrens. I was never anything greater than a red-bellied turtle-- who runs at the sight of strangers-- how do you jump into the water? How do you hide yourself like a tree frog? So that we can only find you by the muffled patterns of a mating call long repeated-- compare my throat to a banjo string and I can speak in the tone of how a yellow warbler tells my kayak to just leave it some peace today. It hasn't slept well and it's been thinking about oceans. I have to agree though-- Humans they're like a disease-- they are a disease Once you fall in love you never see humans as anything but rivers.
I was never so in love as I was when I was a Red Knot and I stopped in Stone Harbor
only to find that all the store fronts were closed besides the fudge kitchen– I bought
a box for you even though I don’t think any of us really want maple walnut fudge
I thought it wasn’t really an option though– no an obligation but a nod to the importance of all the people we would buy fudge for if we had enough little white coffin boxes to fill with the confection– the other store fronts were closed anyway.
I thought about us. I thought about how I never wanted anything more than see the
town when it was thriving– Maybe a July night near my birthday when the little Red Knot were almost old enough to fly– I wanted to purchase a snow globe–
I’d take it back to you– I’d shake it and say that it never snowed n my wings when I was there
but it sure felt like November without you–And then there were the other Red Knots and they ate horseshoe crabs with me– not out of hunger but out of compulsion– horse crabs
taste like metal and blood–
I felt bad for the things– piles of them
on frayed reeds of the beach– scattered like unworn bike helmets– if birds ate fudge I might have nibble at it that day.
But I will be back to you again and I will tell you about the horseshoe crabs– though I might lie a bit. Maybe I’ll tell you the store fronts were open and that I ate oysters at a raw bar jostled between two friends I made on the journey who now purchased houses on the harbor. Maybe I will be a plover or a tern. I could be a terrapin for you. Maybe the horseshoe crabs will taste like taffy or maple walnut fudge.
1.
Invite
yourself to
recede back into
diatom patterns– dragon-
scale finger nails of
our mosa-
-ic God
2.
Build a
chain with me–
we couldn’t all be
ice so he spun some of us
in glass algae– church
windows that
bleed sun.
3.
Find me on the other side
of bilateral
symmetry
and wait.
Kwek Stop Sunsets. There's nothing more human than a gas station stop on the high way. The rusted hinges of 7/11 sinews and caffeinated eyelids of the "fast stops" of the turnpikes and freeways that might as well by their own countries--own nations-- hum hymns in their own vernalcular of slushies and syrup fingers-- they have always reminded me of love--I have always felt unintentionally excited about them-- It's they nestle themselves-- poised in coves of pine trees-- Krimpet wrapper voodoo dolls standing guard-- they can be glistening atolls--strung out from a sum of bites taken from moon pies. We trade broken sun glass frames for bathroom lines and there was always something miraculous about picking any snack and drink when we were on our way to Chingoteague-- And then we left-- send me a post card from a Sunoco-- with a box of twizzlers and a blue raspberry slushie-- because we all know that's the best type and tell me the vacation hadn't started yet but the way their is always more exciting than the sea gulls or the sand feet-- it's the sum of all the potential of what a life could be-- wrapped in tin foiled-- spun in a slushie. Let's take a vacation to a Stop and Go and I'll tell you I love you like sleeves of a juicy fruit and not even Krimpet wrappers can stop us.
Believe me when I say I want to be water. I want to be unfurled like the tattered ends of a porch flag of dull hardware store flowers-- the kind that grandmothers forget to change in November when you start to feel your own skeleton like the sinews of the frost- rigor mortis roots of the grass-- I want to be poured into white-walled rooms --tag me with a plastic ID bracelet to be adorned in a NUMBER so that no one can know my name is WATER-- I have only ever washed scraped knees and fallen from high places to spread myself thin again in the carcasses of hail and rain. I want to drop myself like a butterfly whose wings had been plucked by the slimy lips of a bull frog who sang about eating birds and tulips. I wall to fall like petals and and like knee caps. Drop me like the skeletons in November and pulls me loose like porch flags. I want to paint the walls of a white room with my thumb prints-- all watered down like tulip water. I want to be cupped in your hands and dropped into the grass for a proper burial-- don't worry about letting me fall too far-- I've already descended the sky.
When I said 'follow me' I didn't mean it. When I said "follow me" I meant I wanted someone to know where I was going. I wanted an address to send gas station post cards too-- Each will be signed a different name from the name tag of a grocery store clerk or a the red- collar of orange-white cat keeping watch over the CVS parking lot-- in search of pie tins and firefly wing-dust. Some days I'll just leave them blank for you to fill in a story I haven't even written-- imagine it for me-- play God with my life for a second so I don't have to name myself today-- I was never one for post cards because I have too much to write-- When I said "follow me" I didn't mean on foot-- I meant hold onto something that you know about me even if it's only as thin as a gum wrapper-- I meant remember me liked creased edges of napkins and carrot sticks. Think about all the times I licked oatmeal from spoon spoons and all the times I asked you to pet my hair and tell me it was okay to fall apart as long as there was enough left to pick up the pieces and wrap them in old post cards. The one I'm sending today is from the Turkey Hill up the street from the house that I no longer think of as home-- It has a Hex sign on the cover with two distelfinks in a love-locked stare and it made me think of us. When I said "follow me" I don't know what I meant-- but I'll meet you at one of these gas stations and we can talk about feet-- and roads and whether or not distelfinks are real animals over open boxes of juju bees, licorice, and firefly dust.
Where were you last night when everything was quiet and the doors were shut? i found myself last night the only one still left awake-- every single other human had fallen victim to the pendulums of their own weary eye lashes-- curled up like specimens in their test tube terrariums-- i stood watch and waited for someone to hatch but the night was lilting the night was lonely and i whispered my Hail Marys to the bellies of the moths that crept in under the windowsill to keep me company. they brought strawberries on a paper plate and the crusts of cold cheese pizza. they say they had never needed sleep-- that sleep was for swallowtails and i had to agree. Last night i was somewhere between the tiles on the roof and the faded constellations-- i don't think i fell asleep like everyone else but i know i did because i'm not a moth or a windowsill. i walked away from time last night-- and no cars found their way down the street to push forward the gaunt shoulders of sunset-- i had supper with every single human while they slept i waited for one of them to awaken. i saved them two strawberries and gave the leaves to the moths to use as hats. i asked when time would bring me here again?-- at a rest stop from time with plates of strawberries instead of red vines and glass bottle root beer. the only response was the beating of moth wings and air conditioning.
I took off my shoes today to walk down the spine of a girl who wanted to spend a week and four days longer than she could loving herself. I don't want to love her just for the way her hip bones dwarf the mountain ridges of Appalachia where she leaned to make her knees wobble like the rivers of limestone rock-- I don't want to know her only by the brown hair dormant beneath her scalp like trenches of magma veins. No--I don't want to love her just for her widow's peak still eroded away by the same un thawing lips of amphibian boys who want to be men-- same anorexia spoons to carve out the gnarled knuckles of each stream and creek and the sound of her own breath at night like sleet. She took off her shoes today and she will again and again because she never needed sandals or socks or shoes only her own heels rubbed rugged and thick from gravel and smooth stones in pockets.