05/24

reburying my great uncle in the attic
next to his brother--

i can't remember if we found
your mass grave in the philippines
or somewhere in thailand
but my mom found it on
the internet a few years after 
my grandfather, your brother died--
we looked at a garden of
white crosses grown
in a photograph on the boxy computer
screen-- i was four years old
& we kept your triangle-folded
american flag on the bottom
shelf of a bookcase in the attic--
i liked to spin it like a top--
pluck out the box with the
purple heart & pin it on the 
chest of stuffed elephants
& polka-dotted dogs--
the indigo kiss-- a bruise
from god-- the kind of goodbye
letter that sits heavy 
in the bottom of an envelope--
when my grandfather returned from
world war II
his family had moved--
he walked up to his door step
to find a different home
glow from a window & pondered if
all this time he himself had 
turned into a ghost--
he briefly recalled teaching his
brother, you, to kick the coal
off the top of the freight cars 
down by the railroad tracks
to heat the house when cold snapped
in november--
he wondered who was taller
as he walked ponderous down
a back street in south philadelphia--
we buried my grandfather in the
attic-- a jar of ashes & he mumbles 
about the war in the cracked knuckles
of the house as heat rattles
through it's bones in november--
it was our family in the window
on the door step that night--
my brother with a encyclopedia
of military weapons in his lap &
me eating a slice of my mother's banana
bread from the counter--
we invited him inside
but he walked away-- he didn't
want to go home without a brother--
so i'm here-- a plane ride away from
anywhere we could pretend to come
from-- at a white cross in
thailand or the philippines
or your real bones still sinking
into the dirk of okinawa
where we presume you were shot--
i stand there & think of something
to ask you about but all
i know about you is in
the corners of a folded 
american flag & a royal purple
heart-- i ask you if you
eat banana bread or if your mother
forgets to water the herb bushes
she keeps on the porch-- i
sit down-- i packed us sandwiches--
i figured you would eat something
like tuna salad-- no i didn't
want to share-- i ate before
i left-- i wanted to ask 
you if there was something you
left out of the letters-- if there 
was ever something you wanted to
tell someone that you thought about
in the time since you saw
my grandfather, your brother--
you're still taking your time
to answer-- we could chew slowly
because we were dead-- well i was
just pretending to be dead so
we could talk-- 
you didn't want to leave with
me even though you had enjoyed
the change of conversation--
i knew about the family curse of coming
home to a different house--
to find your name has a new address--
this one is a perched on a hill
outside a town called kutztown that
you probably have never heard of--
i told you the house has a painted green 
& maroon porch now & on warm nights
in the summer your brother will
sit outside in a neon blue lawn chair
& wait for you--
i brought you a jar for you to 
bury yourself in-- we're going 
to the attic where unfinished 
letters are written--
i uproot the white cross--
fill my pockets with
the remnants of your bones
on a hill in okinawa-- mixed with
bullet shells & singed grass--
my brother turns the page to his
book on military weapons--
i dangle my feet from the bar stool
at the counter &
we listen to you & my grandfather,
your brother 
unearth your body's ashes 
in the attic--

 

05/23

our google earth.

i told you, mom, i'm coming home
tonight to 2014-- to the stupid
wide-toothed grin of our porch
painted evergreen & a blistering
maroon-- our mailbox's hand is 
raised as if trying to hitchhike 
away from town-- it wants to
join a corn field-- fill it's 
mouth with husks instead of 
junk mail-- years ago the 
picture from google earth used
to still have the two big 
trees in the front yard & long
after we cut them down
their ghosts haunted us from
the computer screen--
i would glance out the window 
from my desk to make
sure they were really gone--
i wonder where i was when they took
our house's picture with none
of us home-- got the big
old doors to smile pretty to 
join it's place in the 
collective collage of street views
for nostalgic children to wander home
to from laptop screens--
uncle rich's grey oldsmobile is
in the driveway--
the one that he got second hand that 
smelled like cigarettes--
in the backyard there's no
tiny christmas tree yet & the pile
of red stone makes a mountain beside the
garage that billy & i would 
sled down when it snowed--
it never seems to snow anymore
& i wonder what google earth
would look like if it would have taken
our picture that night 
in the dark when we built snow men
in that front lawn & laid on
our backs to look up at a hazy night
still laden with inches to come--
you told me we would have a two hour
delay or maybe the whole day off--
or if it would have caught us 
out on the porch that august with our 
pink lemonade stand-- you on the 
reclining chair shelling soy beans
into a sand bucket & me waiving
to the fast cars of noble street
as if they would stop for warm 
lemonade mixed by a 10 year old--
the image google earth chose of us
is starkly empty for everything that porch
has held-- it doesn't seem accurate 
for us & watching it there feels only vaguely
like a home-- 
i can tell it's a tuesday though
because the trash is out on the curb--
i wonder if we're inside at the kitchen
table-- if it's early & a sunday
& you're burning pancakes in  the cast
iron pan just the way i like 
while billy counts his plastic army men on the 
breakfast bar & looks out the window to
see a car pass slowly-- not knowing
it was telling the house
to "say cheese" for the rest of earth
to look back on--
when i knock that the door there
no one will hear it because it's 2017
& i visit home most times only
on google earth-- & i've started calling
this place "my parent's house"
but when i walk up back to 2014 into
the laughing mouth of the porch--
i'm swallow back again--
i'm standing outside a photograph 
of our home-- let's do it again--
plant a christmas tree--
sell pink lemonade to the windows 
of fast cars--
fall heavy in inches of snow--

 

05/22

our unwashed locker skins--

in high school i never washed
my gym uniform-- 
i peeled the grey shirt
free from my torso as i hid in
the corner of a bathroom stall--
sat for a peaceful moment
on the black rim of the seat--
i didn't want anyone
else to know this is where
i went to come undone--
the door was taped on its hinges
like i taped my knuckles
back onto my body each morning
in a choreography of quiet compulsions--
OCD is beautiful if it can make
you skinny-- 
i met him in eighth grade-- the voice 
of a tailor-- who came
to cut off my skin to make
a uniform & fold my into 
the dark corner of a locker room--
a cement box of warm sticky thighs--
i learned methods to
count all the parts of myself--
what's your secret?
everyone asks the fat girl
who took off her skin in the hall
way-- the ultimate strip tease 
is to lose fifty-pounds 
in a month-- you become
a miracle
& i told them that
i run now
but what i meant was that
i run from myself now--
somewhere in the laps
around the gym my legs keep going--
run myself into a vortex-- 
a black hole
shot in the ceiling 
by another boy's ping-pong ball--
cracked like a planet--
i leave her real body crumpled
behind the chipped paint
door of a rectangular metal locker--
0668-- 0668
somewhere in a deep sleep i still know
all the combinations-- 
i could unlock
myself again & wear navy blue
shorts & a grey t-shirt
both drenched in sickly coconut paradise
perfume to hide my own sweat--
i teach myself to 
sweat CVS body spray-- i smell like
a synthetic isalnd breeze--
on hot afternoons the asphalt behind
the school reverberates heat-- 
i bubble in the yolk of the sun--
school seems to lingers in june & so
i pretend the basketball nets are palm trees--
the soccer nets blackberry brambles-- 
the juice or blood running down our arms--
return to the locker room where the
cool tiles on my bare feet 
remind me how thin the skin 
that separates us is-- i'm scared
to look up at other girls changing
because they know i'm a bi 
but i don't want to look at them
like that-- not like they think--
i want to look at how they choose
to take themselves apart--
if they take their skin home
to wash--
if they linger to observe their
naked body in the full length mirror 
at the end of each row--
what parts of themselves do
they count? 
0668-- 0668
come open me & take
back this flesh-- 



05/21

at night i feel like my own city

at night i feel like my own
city-- pull the street lamps
off my shoulders to kiss--
let's boy meet girl 
in an island of light--
we forget sleep & go through
the park-- pretend
not to see the foreheads of
the buildings over the trees--
we are wilderness shoes--
sit on the wooden benches
of my thighs-- this
is how my knees say
welcome-- wipe your feet
on me--
at night-- at night
at night i use
pay phones with their tails
buried into nowhere--
i call my grandfather-- 
he too
was a rib bone in the 
thicket of this city-- 
a notch
in a line of houses with a 
gun under the windowsill--
this body--
my body-- the train pulls
in under my finger nails--
i clutch the pillow-- 
dig myself towards 
south street-- my tongue
a taco vendor-- knotted
soft pretzel steam
in my throat-- how could
you learn me this thoroughly?
that is between god & i--
but neither of us have
taken the time
to go walking-- we always
take a bus off 12th street--
sometimes i snip off
the elm trees from
the back of my neck-- their roots
clutching asphalt & undoing
the sidewalks of my collars--
last year i stayed over
night in time square in one
of those big hotels resist
reality-- the best part 
of the whole trip was
sitting at the window
there on the thirty-forth 
story-- let myself fall into
a skyline-- buildings contorting
into my torso--
we become our own city subtly
then in a rush of light--
i couldn't help but remember
the passage from 
Catcher in the Rye when
Holden looked out the hotel
window to discover the anonymity 
of our bodies in the windows--
our separate & secret lives
pulled forward on railroad
track finger nails clawing into
bed frame-- i tell everyone not 
to be afraid to be alone--
feel the street lamps
turn on in your shoulders--
crack your knuckles like
tires clapped in pot holes--
girl meet girl with me 
under a lamp post--
let's become a postcard
we mail to ourselves in the morning--
but for tonight-- for tonight
let yourself become a city
fall out the window
& evaporate in flight

 

05/20

dry blood.

sometimes he remembers 
me like the smudges
of prayer dug into margins of
hotel bibles-- he talks to 
god indifferently-- like
you would 

     a bus seat
that august was a trickle
of dried blood in the 
river bed where the tadpoles
ghosts hung like over-used
commas & the foot notes
tied up the shoelaces
of the psalms-- 
yes god never made 

    enough days in summer
for us to love our bodies
clean of the rest of the 
year-- 

     that june we bled
hard & blue down our forearms--
sticky children of the bellies
of ferris wheels--
this is the appropriate

    time to kiss me--
this is where we unlearn
our acts of contrition--
learn to ask forgiveness
from our dandelion gods
absolve me of

     my sins-- pull out my 
white hair & i'll make
three wishes as penance--
they never had me believing
in reconciliation-- i take 
up my sins with 
the knotted knees

     of the oak-- he's 
grown into a shape of humility--
the body laid out on the pews
for the viewing-- we make
the park bend into a pew
to bend each other's

     human-orchid bodies
evaporating before 
each other's eyes--
phantom as the drying creek--
we huddled in the stagnant pools
to try to get 

     a glimpse of air 
between the fish-- cut each
other loose like kite strings--
we made a honey moon out
of the playground we

     were born in--
you lick your thumb & rub
the dried blood off my cheeks
like the 

     ink smudges on
the margins of bibles--
what were you doing looking
for me there?
you know if you miss
me you just need to

     blow the white
hair off all the
dandelions

     

  

 

05/19

dissection & other forms of intimacy 

humans are destructive learners--
we learn early on that nature
is our body to dismantle
like the inside of a pocket-watch--
what did you do with the scalpels?

1.
the worm & her 5 psuedohearts--
pin her open-- this is the 
peep show-- a photograph in 
a lab book of her skinny 
torso wrapped in a thin
film from the formaldehyde

2.
the crickets were
black from seclusion
from the sun-- we hear them
chirping from
the depth of our lockers
out of our collective guilt

3.
we decorate lockers for birthdays--
wrapping paper & pom-poms-- 
why were you born in the
summer?

4.
the other girls made me
dissect the perch-- they forgot
lab shoes & leaned back
against the table & watched while
i peel back the skin
like wind up our skirts

5.
i keep my skin in my gym
lockers & never take it home to
wash it

6.
we had little guidance in 
middle school dissection--
we didn't need help learning how
to cut-- i had used an x-acto
knife before

7.
the perch was a mother &
my hands emerged with
clusters of orange eggs--
concentrations of planetary 
dust in the belly of the specimen--
the other girls shrieked
& my biology teacher beamed--
paraded the body around the room--
the un-expectant mother
& her children trapped in
a stagnant orbit around a classroom

8.
i sit the bathroom stall 
because it's quiet

9.
the star fish with four
legs-- drenched in preservative
crawls into my open
ears when i try to sleep--

10.
i begin to believe 
all sirens are yelling at me--

11.
it was me & the nurse shark--
skin smooth like my
own-- her mouth the kind
of smile only dying people
keep-- she had eyes we could
have fished for
in the creek-- between the
chemicals on my fingers
& the collage of her intestines
& my biology teacher instructing 
us to 
find the kidneys 
find the gills
find the heart 
i felt my body lurched
& i gripped the lab table-- coiled
on the speckled tile
floor--

8.
i lay on the cool tiles because it is
quiet & i have an excuse to not be
human-- 

5.
use the scalpel & peel back
my skin like you would lift
up my skirt--

5.
peel back my skin-- i am now
your perch--
your nurse shark-- you five-hearted
goddess--
what do you know about the bottom
of the locker
where the crickets haunt us?

6.
i had used an X-acto knife before

3.
where we take our carcasses when
we are through?

8.
i close my eyes
in a jar of formaldehyde--
when you're done with me
take pictures--
label my organs with stanza breaks--
remove the metaphors & 
plant the orange eggs to
grow sunflowers
from the backs of
our pocket watches--

 

05/18

water birth

it was your father who pulled you
from creek water-- he was bare foot
& cut his jeans off just
above the knees to make shorts--
he had a body thin enough
to snap under his own foot steps--
a twig-- a dowering rod--

the first time i felt your heart
on mine it was like the bodies 
of the minnows frantic against 
my legs-- the next time
was like gnats kamikaze flight
into our faces--

we pretend we don't remember 
our birth here-- between the severed
necks of the drunken mulberry 
trees & willows who 
lament the sun-- who was
the dragonfly with teeth?
we hid our mother under
the rocks where she can be safe
with the crayfish

here we grew lip-hair moss--
dropped our knees like plums
to bruise on the stones-- 

our father made a fishing rod
from a branch of the pear tree
still waiting to become a 
pie in the backyard-- 
lured you in with potato roll
slipped onto the hook

you bit yourself into the
body of a girl & your life 
(as always) 
was accidental--

we all came out of the creek
behind the school yard--
we all ate wild berries & 
didn't check if they were poison--
we all drank from the mug
of our own two hands--

come back
i want to feel you again--
hesitate with me--
feel your body run away 
up stream-- 

you rest your
head on a fallen leaf--
& the water carries it 
on-- the cradle of Moses--

we began in a river--
writhing-- hook mouth
held high by a father
who was still a sliver
of a boy 

05/17

the fortune teller's kind of truth
& attempts to pray ourselves into gods

it's 10pm on a tuesday & 
the red neon
sign above the fortune teller's 
office is angry & OPEN &
hungry for confusion--
i knock as if it's a the door
to a home-- enter in me
sage & windowsill
crystals-- 
obsisian to swallow
your apprehension-- 
this is a dwelling
of fear--this is where  hope
is a type of breath--
humans have mastered so 
many arts but are for the most
part too impatient for
divination-- when i was
younger i believed in God-born
miracle-- i found solace 
in the prayer-answered happenstances 
of snow days & bicycle tires--
a prayer is a prayer is a prayer
is a prayer
is a tiny unresolved manner of
dreaming we invented 
out of our perpetual desire
to make ourselves 
into god-- the fortune teller 
is always your grandmother 
& your lover & your best
friend you didn't meant to 
fall in love with--
she is somehow younger & older
than you want to be--
she calls wrinkles 
of your pillow case out
from your palms-- 
who was the first human to kneel
& design the idea of a prayer--
empty in their throat--
the echo of unresolved
postage-- in sunday  
school i asked if i could pray
for my mother's friend &
if he would be healed of 
lukemia & my teacher was eager
& told i should pray harder
& that god would do his best--
i prayed my thumbs into 
cups & the man died two
months later--
when i pray for people they
die & a year ago when 
my father was in a coma--
i swore to myself to not
pray for anything-- i uprooted
dandelions-- i burned my forearms
but i would not make the mistake
to think myself into a god  &
my father is still alive--
so live harder live harder--
in the rage of the word
i believe firmly only
in language--
she tells me i am a page of wands--
but i knew that--
i always knew that--  
she always finds the lovers in my spread-- 
they dance on the purple
table clothe as elk locking antlers--
she asks why the devil's card
is so  inescapable for me
& i tell her there are parts of
our pasts that no tarot card
can unforetell--
you cannot unread the creases of
my palms dug in dried blood august
-- she traces the lines
of my hands like drought rivers--
& tells me to walk slower
if i should meet the hang man or
a death on  the white horse
we used to trust--
she kisses the backs 
of my hands like the forehead 
of the big red bible
on the podium at church--
i do not worship screaming red 
neon signs preaching 
OPEN but i believe in
the kind of lies a fortune-teller
speaks in-- the kind that become
a truth the instant they
connect with air--
she lives in the foreground
of her decks of tarot cards--
i feel her leaving foot prints 
in the parched earth of my hands--
oh the page of wands is 
a young man,
faithful, a lover,
he is in the act of proclamation--
his tiding are strange--
i pay the fortune teller
a 20$
just to listen to a moment 
of uninhibited- unprayed-for 
truth-- 
the page in reserve 
is here to bring bad news--
a signal of indecision--
but who then--
is not a page of wands?

 

05/16

for 13 year old me afraid of tampons
& my vagina that isn't a god damn flower

if you ignore the blood you
will become a stain-- a trail to
follow like bread crumbs-- 
this is the witch's house
made of gingerbread & thick 
gum drop gargoyles--
the first time i had my period
i hid my underwear behind
the toilet-- next under the hamper--
tried to stop myself up
with toilet paper-- frantic 
& coiled over a toilet
i knew i wasn't dying 
but it was better to think 
that i was-- i was terrified  
of someone telling me
i was becoming 
a woman-- when we had
sex ed in sixth grade
we never watched a birth video
but we watched a grainy
tape from the 90s &
a girl in braided pig
tails said she had become
a woman that day-- & that
her mother had called all
of her aunts because she
was so excited for her--
they bought fresh but
tulips & put them in a vase
on the dining room table in
celebration--
i don't want you to
pretend like my vagina is a flower--
some locus that you could
make bloom-- my vagina 
is a clutched fist
for holding onto the rudder of
my spine--
when i told the sleepover girls
that i use pads 
they told me pads are
gross & that everyone uses
tampons because they're 
SO MUCH EASIER
i bought myself a box 
with a green label & 
white flowers encouraging 
my vagina to open
on the cover of the box--
spent the next two weeks
in a battle hunched &
contorted-- leg
up on the toilet or the ledge of 
the sink in an attempt
to learn how to wear
a tampon-- there was something
about the insertion
that terrified me-- that made
me feel vulnerable & 
the orchid stems grew from my
throat & i finally told
my mother the next month
that i was bleeding--
to my relief she didn't buy tulips--
there were no phone calls
to aunts i don't have--
there were no balloons 
or vagina birthday cake-celebrations
--there was the wisdom
of the cabinet under the sink
& an arm briefly around
my shoulder--
in the bathroom
i threw out the box
of tampons-- i have never
tried to wear one
since-- i refuse to 
be your flower-- your 
pink & white girl to 
cut & dip in the clear
vase so you can see my
unshaven legs taking
root in the glass-- if i had
to be a flower i would
be a dandelion so
you wouldn't mistake me
for something to teach
to open--
you would be scared of me
& i would blow my
white hair in your
face like the dismantled 
lining of a pad--
so i follow the trail of blood
back home
through the forest--
the witch left the oven on &
the house burned with me
inside-- i escaped
with charred hair & 
an empty vase full
of toilet paper-- as for
advice for 13 year old 
me i would tell her
she doesn't have to hide her
underwear & i'm still
scared of tampons & feeling
my torso revert to a stem-- 

05/15

*I used some quotes from reports
of stonewall so if you don't like
gay-slurs of any kind i do use them & wanted
readers to be aware of that*

let's meet in the summer of 1969

when neither of us were ideas 
yet & we get to decide who
are family is--
when the june rattled in 
bricks & when they first planted
the pear tree
in the backyard of 
the house on regimental road--
this is before 
there were neighbors 
when all the wrinkles evacuated
our grandmother's faces & they 
were astounding & young--
still believed themselves 
eternal--
they sit in separate photographs
letting their skin
eat sun-- there's the one
on the endtable of her
with her sisters in mexico with bare
legs & thick sunglasses to
help her gaze into
a solar eclipse not coming
till september--
her sister flo has on a
yellow polka-dot dress
that reminds you of a picnic blanket
or a table clothe--
they eat tuna salad sandwiches & drink
cola & everything is
calm because cancer is quiet--
i want to meet in the summer of
1969 not to sit
in our grandmother's photographs
again but to know if we
would have stood outside
stonewall & watched
from a crowd--
there is the blood we keep in
photographs of & there is
a history we want to call our
mother-- contort the inn
windows like the crumpling
of paper to throw into a
waste basket--
When did you ever 
see a fag fight back?
we break the glass
of the picture frames-- skin
peach-blush, tender, & red
from sunburn--
summer was hot & our fathers
played with metal toy
cars on the living room
floor while everyone resolved
to be restless & hit back--
this is when our handcuffs become
too tight & where we decide 
to watch our father 
drink orange juice at the
dining room table of 
his aunt's house-- there is always
toast & eggs & milk &
sometimes a slab of ham--
we sit on a bench in
christoper park & 
everyone talks quiet & eager
& our grandmother is there
mixing a manhattan at
the bar-- in a night robe
she picks up our
father's metal cars--
sits in the plaid
arm-chair & turns on the television
to watch a screen striped with
color-- a flag
that has always signaled 
night &
the picture frames are 
broken so we can craw through
a newspaper--
paint ourselves to masquerade
as the fags we wanted to be--
the word is out
the word is out
& come september so
will be the sun