the choreography you tell me you think it's inevitable that you will move to a town like the one you grew up in-- the tiny main street & the street lamp all coming on at once-- double yellow lines of the street like one-suspender on a man who laid down to watch us grow like onion grass in his chest. encountering fireflies in the day time i shoo them away-- i unscrew their lights to use as spare bulbs in my bedroom. i tell you i need more lamps. i've started to believe in the choreography of it all. it's not beautiful. i mean i think they're printing newspapers weeks in advance-- there's a big vault beneath the city where everything's been decided. maybe there's a mail man who goes down there-- trembles in front of a plastic wrapped door before he cuts it open again with a pocket knife. i tell you, of course, that i belong in a city that i have always belonged in a city. i think i'm so adamant about this because i'm terrified of waking up in the bed room of my parent's house. i'll be forty-something & despite living in a far away city, maybe as far as berlin or madrid, nowhere will be far enough to fight to design of it all. i've been reading a book about living in 1980s AIDs crisis. David Wojanarowicz says that living under Reagan was like having a pillowcase pulled over his head, looking at all the little threads woven together & feeling entirely powerless about them. he says that it's a kind of feigned deafness under the wings of a helicopter. i'm thinking of the time that at the diner overlooking the tiny airport my dad told me that he was scared of helicopters because sometimes they go off kilter & decapitate people. i was scared to leave the building because one was hovering, ready to land. i'm hoping this will lead me to the vault beneath everything. every city has one. where they tape the news & make paper machete police officers. how far in advance has this been planned? will you go there with me? i don't want to feel choreographed alone. there's a girl tap dancing on a linoleum floor & she's me & she sees herself in the mirror in a line of young girls all doing the same. the leotards don't fit. where do you keep you pocket knives? i fantasize about knocking main street down like a pile of wooden blocks. i'm sitting on the floor with the broken glass giving me away. they pick me up & fold me length wise. they feed me onion grass & bent street lamps. they tell me to close my eyes & let it happen. when i wake up i'll start walking again, out of my bed room at my parents house & up the highway towards the city, on her knees crawling away from me. a wounded ant.