this is food for ghosts do you ever remember things that didn't happen? there's a yellow room & she's opening a sugar packet onto my tongue, a little mountain built there, melting sweet sand. she opens a sugar pack into her mouth then, too, & somehow we kiss, which makes me think of hummingbird throats full of nectar. a window's open, white curtain, blue curtain, a wind blowing papers off a desk, all scattered, i'm stepping on top of them. i take all the lunch meat out of the fridge, separate salami & bologna & ham onto plates. she's there again & she folds the meats like blankets. i tell her the food is for the ghosts in our house & she eats a piece & says "good then, it's for me." we saw a hummingbird in the church garden, no, no i didn't, she saw a humming bird in the church garden, & i was so jealous i drew sketches of hummingbirds on the papers scattered on the floor blown free by the open window that no one opened, that might not have been open. she has a swimming pool & we sneak out in the middle of the night & fill it with sugar, packets meticulously opened one at a time, the music of tearing paper. she jumps in while i work, floating on her back, mouth puckering like a catfish to suck in sugar. i ask to get in & she says "no" she says that i'm making this up because i am, i don't want a non-made-up memory. i make a sugar bowl of my head, carve out the brains, the soft pinkness & pour white sugar all in. my head, a swimming pool. i hang curtains from my eyelids so they can blow open white blue. i invite the humming birds, draw them on the palms of my hands & wave, which makes the images almost look like they're flying. she curls up in the sugar & says "this is true."
Uncategorized
04/10
something like a mouth wads of spat-out gum polka-dot the asphalt outside my gym's front door a kind of pattern forming from the layers & different colors all grey-ish from foot traffic & weathering car tire rain dulled greens & blues once vivaciously spearmint or winter green or pink bubblegum flavor yesterday i caught someone in the act of dropping his gum a swift hand cupped over the mouth & then moved down to his side the loose drop of the amorphous glob still fresh & white perking up from the ground a warm wet mountain how his mouth had just held this thing for who knows how long how his teeth had worked gnashing it's form & how now it lay outside of him a shed organ it made me wish i had gum to spit out & add to the ground there there's something intimate about gum i imagine all the dots of trampled gum moving together into one big hunk i don't know why i see it but i do a great huge mound in the parking lot the kind of thing kids might try to climb on getting their shoes stuck & leaving them behind a collage of abandoned shoes i would climb it early in the morning when there'd be less people to see me doing it my first boyfriend once passed a piece of his gum into my mouth when we were kissing i was disgusted at first but i chewed it & the gum still had an orange tropical flavor he didn't mention it ever just an action & we kept kissing till i passed it back it's something like that what i witness each day pressed into the ground a kind of closeness of our bodies a kind of need for chewing it's about mouths i think i walk over the wads of gum & feel them vaguely under my running shoes
04/09
to our gas stove i return to the gas stove all through the night to listen to each burner holding my breath while i lean my head down face to black metal grate waiting to hear the soft hiss it makes when the gas is left on with no flame a few days ago one of us left the gas on & i woke up (lucky) to the dull insidious smell lurking all over the house how you explain the smell of a gas stove? is this how restless ghosts smell? like a fire that wants to break open like the house wants to bloom i opened all the doors to let the gas out & the cold night air kissed the door frames until the smell was almost gone i imagined the gasoline & the night wind as stork-like birds circling each other bones tangle with wanting i found feathers in the corners of my bed room they gave off the faint scent of gas & i took a lighter to them they burst first into daffodils then blue flames i flinched & dropped them to the floor where they (lucky) smoldered out no matter how many times i burned them the feathers came back so here i am a chair pulled up to sit & watch the stove i say prayers to the stove i say have mercy on me which i realize is pathetic what bothers me most is that i can't understand what the stove wants i keep seeing long legs birds a whole bunch of them contorted & trapped in the oven pressing legs & wings to the little window i open the door but none of them will come out i think they want me to turn the gas on myself & i think about it for a second the way those creatures would pour they way the gas would make the place all murky & how fast the walls would turn inside out i tell the birds no no i won't do it i'll wait here until morning comes i'll open the doors & let the chill of this april night keep me awake as i burn one feather at a time just one
04/08
finally cars with their headlights off at night, delete themselves. ghost vehicles, passing between other cars, made of cold air. dislodged from everything, slowly becoming part of the backdrop, i imagine them sinking into the asphalt, like descending a staircase. i consider turning my car's headlights off to see what happens, to see if maybe that slight adjustment could alter everything. finally invisible, finally flying, only an underground kind of flight below the street like the movement of the subway, the way you can sometimes look down at a metal grate in the sidewalk & feel how close how close the shuttering is. i walk into the basement without trying to turn on the light, wading into the dark, it has a kind of thickness like if i held up a spoon i could scoop the black & eat it, a coarse jelly. i imagine the basement full of cars with their headlights off, all of them racing towards me, only i won't see them because i'm stubborn & i won't turn the light on, just a white switch a simple click but i want that lingering, treading absence, i want that darkness down there to envelop me, keep me safe, few of us will admit that we don't always want to know the truth, that we turn off the headlights of our cars & think of being invisible for a few seconds, envision collision, smack of metal bodies into each other, one body unseen, reaching the floor of the basement, feeling for the switch & finally throwing light into the room, the fear there.
04/07
some people do sleep i tell you that i often mistake my desk chair for a short man standing in the center of my room at night when the only light is that from the blush of night sky & other houses glowing windows the house behind me always leaves the light on in one room to the left only there's never anyone in it & the angle where i am doesn't let me see much inside i imagine it as a sun room like the one in my parent's house a room that people only walk through i can't sleep so i sit on the hardwood floor next to the chair which is also a short man which is also me if i were a chair red cushion with black slipper wheels that make it slide around whoosh across the planks of light color floor i consider sleeping on the floor & waking up to see the short man standing over men how i might at first scream but then come to accept his features that i might tell him about the window i notice almost every night maybe his height would let him see something i never could i would dress him in my nightshirts each would be drastically too big for him but it would be better than letting him be naked & cold we'd sit up in the living room with the TV that doesn't work & we'd make a list of the dreams we wished we'd had if only we could fall asleep & stay asleep as long as we wanted sometimes i feel like life is working to teach how to live on fewer & fewer ours of sleep maybe i'm just tired maybe that's why i mistake my desk chair for a short man but i love him & thank god for him or i would be up alone he sits in my lap i hear you turn over in bed & i'm comforted to know that some people do sleep possibly more regularly & i wonder if you notice that patch of light coming from the window of the house behind us i want to walk up there at night when no one is awake but me & my desk chair pace back & forth in that room to alter the light for a few flickers maybe just enough to catch you attention before you roll over again dig yourself back into sleep
04/06
i want to be a tarantula you tell me you've been watching videos of tarantulas molting. so, when i'm alone later that night i find one to watch. i cup the iPhone screen in my hands, moving it away from my body, as if it were a tarantula. unable to look away, the spider crawls out of itself, like a glove emerging from another glove, soul crawling on eight legs out of its last body. is it a new animal? i wonder if maybe the molted tarantula has vague memories of the other body's life, but, never quite remembers having been a smaller creature. the other body: crumpled like a coat in the corner. i imagine a row of all the tarantula's skins hung up in a closet, the tarantula perusing them, & forgetting that those had been him. i watch the video again, over & over, fast forwarding to the part where the spider makes it's last tug & is free from the old husk, the husk falling back, the new body more vibrant, orange bright fur around each knee, deeper black body. i have the urge to touch the tarantula, i want to know if its new body is damp, if it's slick from bursting out of the first. there must be a human equivalent to all of this. i sit on the hard wood floor of my room & inspect my skin for points where i might fissure, where another boy might come out of me, maybe taller this time, maybe with glowing skin & straighter teeth & bigger hands. i open my closet, find all the hangers hold tarantula skins, a range of sizes. the smallest ones are crumbly from age so i put my arms into a middle-sized one, get down on the floor & try to amble like i saw the spiders do in the videos. i pause & recreate how they molt, slowly & deliberately rising from the skin heaving forward, i worry about being caught in the act, like masturbating but somehow more personal, more intimate, i worry about you seeing me like this, a creature with eight legs on the ground eight legs into two i molt from tarantula to human & i cry because it felt almost real, like i was coming out of my skin & into a new one, like the body i would stand up in would be glistening & vibrant. i leave the skin tossed on the floor & watch more videos of tarantulas molting, rewinding, trying to see what it is they feel that moment they step out, regret? fear? whatever happens there, i think it is something that i can't have. i make piece with that, ask the tarantula to come crawl out of the screen, tell me what its new life will be.
04/05
alone in a hotel room i don't miss home i think i think of what all i could fit inside the tiny hotel fridge two rows of bottles clink against each other when i tug on the door rain turns to glass glass to rain smaller versions of wine bottles each too small to climb inside i could fit maybe four books inside the hotel fridge if i laid the books sideways or maybe all the clothing from my suite case all folded up like i never do because i hate folding & i hate packing i prefer to crumple t-shirts & pants each like a carnation pressed under textbooks it makes traveling feel less real like a sleepover a commitment to going home & i am going home just not now open the door of the fridge again a cold mouth full of glass i take out all the drinks & line them up on the soft floor my guests a little parade spread them out so they don't touch they make a wall they hold hands without having hands i could empty them each in the clean white sink just to see the pouring just to have an empty fridge to climb into i wonder if it could lead somewhere putting my whole head inside the whirl of refrigeration blue taste dull white glow i imagine the people who clean rooms coming to ready my room for the next guest & finding the fridge door open getting on their knees to peer inside & finding no one just a small tunnel in the fridge where i would sit on the other side in a room full of television screens playing videos of everyone who ever stayed in the same hotel room not just images of them living in the room but their whole lives pressing hands to windows climbing inside fridges the room still cold the walls still fridge white & in the distance the ever present gentle sound of bottle clinking against bottle fingers clinking against fingers taking off my clothing & stepping on my shirt & pants like carnations but i don't go inside not tonight i put all the bottles back on my knees they clink as i set them in their rows lay out on the bed try to imagine the other people's bodies who've laid there night after night
04/04
3 different bird calls & a car alarm pours a bag of feathers all over me the sun & the whole thrum awake without me i turn over like a sausage in a skillet, like the ones mom made every morning a browning edge & grease softly folding alive under skin the spatter & crackle of heat i ask the brightness to keep on going out there to reflect off hoods of cars to kick up dirt & scoop the voices of the birds nesting in the garage make lives out of them send the birds to college & miss them when they move away i am a red glow & i thought for a moment i was waking up in my parents big queen sized bed with the black ceiling fan overhead, a spider to twirl they had a painting of two rock fish on the wall above them i looked to see if it was there & there is someone awake in the ceiling maybe just a pair of feet maybe there's only upstairs & no sky just white drywall & flickers of dreams where we were in disney world i think only you all had forgotten each other besides me i remembered & i tried to remind each family member of sometime we were up too early together there are so few people who see us wake up what do i lose when someone sees me, if they watch me decide when to pull myself up? this might be why lovers have to share beds to watch the other emerge from a warm murk blink & shut eyes the bag of feathers poured over head the rolling of bodies in a skillet the whole family all turkey sausage links i'm full of grease today i ask the birds to come in & sit with me
04/03
Lingering My feet touch the cold sidewalk as I take out one bag of trash to the curb. No one else is out there but me and my feet, and there is a light, hesitant rain that reminds me of amphibians. I want to find toads on my porch but I haven't seen on since moving to Long Island. My bare feet want to walk the whole street, a pair of toads, soft as their white underbellies. I wonder how many feet there are living around here, and if anyone else ever thinks about the feel of cool sidewalk on a night in April or otherwise. I'm imagining everyone stepping out and standing still just for a second, barefoot, looking around at their street in the shimmery mist slick on stone sidewalk and asphalt that hold up our houses. Standing over the pile of trash, I try to make out the shapes all inside and I find a paper plate folded in half. There is no moon, so I decide that the moon is the paper plate hidden under the plastic skin of the trash bag. I think about what my feet might feel like ambling on the surface of the moon, if it might feel chalky and warm, and, maybe, its glow feels on the skin like wanting to speak. I want to tell someone about this, but it's late, and I should go inside. But it's late and I should remove my feet from the ground, fold them in blankets, dark and quiet, tell them to hold their breath, and no be so dreamy when we're trying to inside. Each body part, then, seems like an argument for lingering, for asking sensation what it means for the whole, for asking if everything can be felt underneath us, or if there are objects we have to know less intimately. Inside, I take a paper plate and stand on it. It sticks to my toes and heel. The plate feels loose and shifting, un-sturdy as I would assume that moon too might feel.
04/02
five hours away in the airport bathroom stall next to me a man is on the phone & he's saying that he only drives five hours to find a river where there's so many salmon the water is practically red with their scales he laughs & the stall clinks as he puts his hands up against the walls which makes me think how close together bathroom stalls are he says that Hannah never wants to go fishing with him & i wonder who Hannah is a sister? a daughter? a wife? a neighbor? why doesn't she want to go fishing five hours away to a river where the water is red with salmon? then i wonder if he means five hours away from the airport where we are or five hours away from wherever he's from & he could be from anywhere just like i could be from anywhere & somewhere salmon are five hours away & they're rushing into the water & Hannah doesn't want to go because she's tired of all this red the red like sunburn on their backs they're rushing & the water is hot with their scales i Google videos of salmon from the stall next to this man i watch salmon i hear salmon in the pipes bodies jostling i've never seen a salmon in real life but i hear them approaching ready to come out of the sink when i wash my hands the man still in the stall next to me i want to wait for him to come out so i can know what his face looks like after listening to his voice maybe he wasn't there maybe it was all the salmon collaborating to speak to me all the salmon somewhere five hours away & i'm just here for a layover this isn't even where i'm going the salmon will miss me the salmon want a plane to get away the salmon want escape just like the man in the stall & Hannah who won't come with him who he lives & wants to throw to the salmon & the salmon want to get on a plane instead of filling a stream with their thrumming souls they want to fly five hours away to a new river where this man can't drive to where no one can find them & i leave after washing my hands because i'm scared the sink might burst with their scales spilling out on the bathroom floor & thrashing