06/13

a god who grants blue bicycles

i would make a terrible god
because i'm bad at saying 'no'--
i would give people 
whatever they prayed
for (not because
i thought they needed it)
but  because i'm bad at saying 'no'.
with as god no one would ever die &
the rain would stop & start without
warning & sometimes a night
would burn longer than the moon--
there was a boy at children's mass
who said he was praying
really hard for a blue bicycle--
we all used to walk 
two-by-two to the rectory 
during the homily-- our
children's crusade-- an exodus
from the big warm belly of
the church-- 
i used to sit
on the grey carpet
& wonder what the adults
did in the big church without
all the children--
i imagined them pretending
to crucify different people
each week-- a role playing procession
around the church-- i could see
the priest painting on
stigmata on the hands & feet of 
our parents--
today the thought is absurd to me
but it troubled me from
the back of the children's group
where i thought mostly about 
eating doughnuts in the gathering
area after mass--
we were learning about how to pray
& the blue bicycle boy
didn't seem to get it--
he kept saying that he was praying
for a new bicycle--
a bright blue bicycle but it
never ever came--
i imagined a shiny two-wheeler
waiting on his porch--
a silver bow around it's handle bars
& a tag would read
to bicycle boy from god
shut up & stop praying for
the bicycle-- i heard you already--

our nun tried to be patient
you shouldn't pray for things
like toys
she said & she added
unless you pray for them for
other people

the boy nodded 
i'll pray for one for everyone

i didn't raise my hand to
say anything as we
talked more about praying
even though 
i usually liked to have the right
answer-- 
i didn't have any right
answers about praying--

i prayed like someone
would count the rotation
of a bicycle tire around
its orbit-- a spoken
memory of our mother's
mother's mother's 
rosary beads that smell
like roses because they're
made of roses-- there was a cross
on the wall in my bed room
i would hold to pray the our father
when i was scared of ghosts--

i told the bicycle boy
on the walk back to the main church
that my mom's friend was dying
& the when i prayed it didn't help

he told me the story again 
about the blue bicycle & how
he wondered how god would
bring it to him--

i told him my mom's friend was
dying & how i wondered if
my praying was making him sicker

& he told me the god would leave
the bicycle 
on the back porch next to the recycling
while we were all asleep

we didn't say anything else

i imagined god as an old man at a wall
of ringing telephones-- each with another
glory be or hail mary--
a penance--
a prayer for a dying friend--
a mouth full of incense & rose petals--
i would walk down the line & cut
the wires of the phones--
no more prayers for this god-- 
the answer is always yes--

save your friends from dying 
for once & eat jelly doughnuts
in the gathering area every morning--
walk two-by-two while our
parents reenact their own 
crucifixions--
& there is a blue bicycle
on the back porch
& there is a blue bicycle
on the back porch  
with a silver bow & the faint
smell of roses--


 

06/12

where do you keep your endings?

i keep mine in a ziplock bag
at the back of my underwear drawer--
they're there next 
to the bag of thick brown hair
my mother saved from my first hair cut--
it wasn't the last time i would
use scissors to feel lighter--
i keep my endings on the head of a match or
a blue birthday candle--
i keep them on dog-eared pages
of books i haven't been brave enough 
to finish & in my pillow case
at my parents' house--
i've befriended the em-dash
even though it reminds me of a
coffin-- open casket i climb into
as a form of protest--
i've never gone to an open casket
funeral & i hope i never have to--
i'm trying to live 
in resistance of punctuation
& i don't believe much about endings
or what people
say they remember best about
you when you're dead-- 
let's face it
everyone has a nice smile--
everyone dies too young--
everyone's outline in chalk never fails to
look like a question mark
asking god where their body is
going after all these years of ending
sentences & turning off lights 
on the back porch-- 
i'm the kind of body who
lies restless as a semi-colon--
awake through the
night my eyes become
hole-punchers-- weighty circles
attempting to make a collage of
street lamp & half-eaten moon--
when i die i hope to return
as something with less punctuation--
me & you we could be street lamps--
the type with brachiosaurus
necks-- jaws opening into streams
of light-- 
be a dwarf planet with 
me-- be a sun so we can 
die so extravagantly we destroy
the mouth who spoke us--
i traded my periods for freckles--
i stole a handful of 
stars & forced them into the poetry
i've been writing for you that's
never done enough to read aloud--
let's meet here again 
across the sidewalk from 
each other on a brilliant diagonal--
i'll pretend i don't see you until
we flick on at dusk--
blink moths out of our eyes
& meet under street lamps
that are also the necks
of dinosaurs--
if you could keep your endings somewhere
would you keep them next to mine?
would you bury them in a shoe box
like our pet turtle or would
you put them 
on a coat hanger so you wouldn't
forget where to find them-- 

 

06/11

exo-skeletal

i've been living 
on the outskirts 
of my own body where
my tongue gets caught in gum wrappers
& rotisserie chicken bones--
i use a pay phone to wake up
& to remind myself to consume
something other than air--
use the chicken bones as antenna--
my heart runs on a backwards
bicycle chain-- i count my legs--
this skeleton of
a dead spider folded lawn chair--
this is where all the beer bottle
caps of my father have
rolled to-- where they fell from
the porch like cut off
thumbprints-- this is where
all the uncounted calories
turn into cheerios & crawl out
of my mouth on their eight legs
while i'm sleeping-- 
living with an eating disorder
is like existing as your
own exoskeleton-- 
i am my own suit case-- 
i carry these femurs & 
my pelvis warped like 
a gramophone bell-- this
is where i go to sing
to the bus station-- i'm packing
diet soda & these shoulders
made from plastic measuring cups--
this has been the process
of unlearning my own body--
i grew extra legs-- antennae
& now every sound has a color--
you are so yellow--
as anyone ever told you that?
we all have stepped on
beetles accidentally on purpose--
i snap like a popcorn
kernel under the heels of my own shoes--
i have spent so
long on the outskirts
of a body that i don't know
what it feels like to 
live within one-- break
off my extra set of legs 
& use them as match sticks
to light the last candle on
my own birthday cake--
how nice it was of you 
to join me-- to want to
be my body again--
the prodigal stomach--
i'm hiding underneath an abdomen--
i'm eating through the wire
of a pay phone--
you hold me by the suite case handle--
call me from the pay phone when you
get there--
i'll be here-- picking up
the bottle caps from the
drive way & dislocating
my shoulders to measure the cheerios
into my mouth before
they turn back into lady bugs--
i don't want to be an exoskeleton
of a human anymore--
i want to be red blood & warm blood
& bone-- i want to be
more than a belly of spoons--
more than a pay phone call--
i'll unpack the suitcase on 
the bed--
& i'll tell you to at least 
stay the night-- 


 

06/10

on summer ghosts--

before our 
youngest brother
was born my brother billy
& i had summers
that still 
exist on a different plane--
a realm of microwaved 
marshmallow experiments 
& green hallway 
doors that open
all by themselves--
it was us who haunted this house--

we heard our father start
his blue jeep in the driveway before
we were out of bed & my 
mother dove into
a hot mug off coffee
& creamer--
this was back when 
billy & i thought coffee
was gross & we drank pomegranate 
juice with our still frozen 
toaster waffles--

left unchecked by adults
the house would morph--
a face in a dark bathroom mirror--
bloody mary bloody mary
sofas stretched & the doorways
turned into teeth-- chewed us
into the living room again--

a murky television screen
was left turned on so that it
could hear it in every room--
we drifted without feet-- without
walls-- in the attic
we built caskets while
our grandfather's ashes watched 
from the corner--

i knew i shouldn't make us
watch those ghost investigation
television shows but i needed
advice on how best one
could best become a poltergeist--
billy would whine on commercial 
breaks & suggest something
like nick junior but i stared on--
fixed on the screen--
this because of my desire to haunt
my own body--

& from the screen emerged all the summer
ghosts who would visit to inhabit
my bones for years after-- 
the opening of the
closet door-- the moan of
the floor boards of the attic--
the gentle evaporation
of our skin into mist--

on a foggy morning we could
easily slip out through the screen
in the window & never ever be heard 
of again--

in summer i still feel my
body getting
haunted again-- my skin turns 
into cellophane-- rice paper
girl too empty to hold
herself inside windows--

but this was only the beginning--
this was only our introduction
to haunting-- this was when we
were in control because
what children don't know
is that a haunting once in
motion can only grow--

between my brother & i 
our house on noble street
has two faces-- the one 
with the evergreen & maroon
porch-- the one with frozen
waffles & coffee stains 

& then there's the one
with the face in the dark bathroom
mirror-- the one at the foot
of the bed-- a smudge of a body
telling you to

wake up--  

 

06/09

i want to be treated like a library 
when you decide to love me--

walk into my shelves--
i take out the due date
stamper & press it on the
back of your hand-- this is 
how long i'm letting
you look at what pieces
of me you want to check out--
do you like to look inside atlases
or are you searching for a book
of old poems whose pages
smell like january leaves
peeled page by page off
the sidewalk--
i like atlases because they teach
you to walk anywhere & that sometimes
Antarctica can be pink & i imagine
me & you suspended in pink snow--
eating hunks of cotton-candy earth--
& sometimes the best poems
forget their authors & sometimes 
an atlas is a poem & sometimes
you read to me from the
coast-- the names of mountains-- cities
& rivers we could go to
if we would leave the library--
take me from the stack of call numbers--
302 RAL-- 302 SAU-- 302--SAX--
the book spines left on
my knuckles-- this is what it
feels like to have to walk
aisles of book shelves 
for a first page-- your
first kiss with me will be a printed word
& what the library teaches
us is that there are stories on the
fourth floor-- how much do you 
want to read & how long
are you willing to forage
of an answer?
this body of mine has had
pages torn out to be eaten--
cracked book backs--
dog eared pages & jackets
chewed by dogs--
marginalia mouths of
these gods-- what have you used
for a book mark lately?
we find napkins & hair ties &
notes passed in trigonometry
class where people decided to
stop reading the backs of
my forearms--
dog-ear by pelvis-- photocopy
the index printed across my 
lower back--
what is your favorite book
you'll ask me because you might
not know any better--
so i'll tell you i keep a library
of a body so i never ever ever
have to pick just one--
do you want to read with me?
i'm stamping the due date
on the back of your hand--
let's walk up to the fourth 
floor of my body & pick out
something new-- a book
with a musty jacket & a title 
neither of us can read--


 

06/08

on the spaces we've left for pay phones

i'm going to call you from
the pay phone--
one between the dollar store
& the movie gallery--
the one with the thick
metal umbilical cord connecting
it to the ear drums
of god-- 
the one
who ate my quarters when
i was 9 but always refused to swallow my
voice-- i want you to hear 
me through the pay phone--
i want you to wait for me to call--
make yourself smaller if you
want to hear someone--
we've left spaces for the
pay phones in our life--
at my high school there are
empty nooks scooped out of the
walls where the pay phones
used to wait to accept 
prayers & elegies & car rides
home
while the sun was going to
bed early in december--
chewed quarters-- widened their 
throats-- 
& when god grew restless
waiting on a swivel
chair at the local dinner 
he would walk to the front
door-- pick up the pay phone
& listen to every phone call
that we ever made--
all at once-- he heard every 
iteration of the words
   i
      love 
           you
that i have ever taught myself
to make-- each syllable
whirled in the metal rat
tail of the receiver--
this is our tether 
to each other's most intimate 
conversations-- 
learn how to hold
each other in a silence--
there's so so few
words
we have to say so many different
things-- 
there are night when i 
forget that only god listens
to pay phones now & these spaces 
we have left only to 
remind ourselves of all the
ways we have said goodbye--
i walk down to the pay phone 
past
the library-- the one next to the
dollar store & the black window
carcass that once was
a movie gallery--
my reflection is ghostly
in the front window & the carpet
inside still has the pattern
of stars printed
in row where there once were aisles 
of dvds to rent--
there is only a metal rectangle 
where the pay phone was
but i pretend to insert a quarter--
press the phone to my ear
& there i am-- the 9 year old
girl calling for a ride home--
there i am the lover of
late night dial tones & strumming 
the telephone wires who knit
a hair net for the sky--
there i am waiting for
you to call me back
& find a new way to tell me that
you love me-- only for it
to disappear-- only to live
on in a swarm of our words
lurking in the spaces we've left
for pay phones--
check your pockets full of 
quarters--
you never know when you might
find a place to stop
& listen to all the things
we ever said to each other--
all the
      i
          love 
               yous
& goodbyes-- we leave
forever waiting on the
other side of a pay phone--
pick when i call
i'll we waiting for a ride home-- 

06/07

the hall of fish 
& how i learned to swim

carve gills & throw me 
back into the ocean-- paint
my face with orange & blue &
white stripes up my sides--
we were made of wood so 
we could float--
this is how my father carried
me to my room at night--
a beer in one hand in a back stroke
down a yellow painted
ocean--

i grew up swimming
down the hall of fish--
my father's collection
of carved wooden fishes
from an artist at the farmer's market 
up the street-- a man
who kept everyone's gills
in a trailer-- i met him
only once but i can't remember
his face--

for some reason i recall
him as a sea otter-- slicked
back hair & black snout--
other times he has a forehead
like a mahi-mahi--
mouth open to the wind
through the market grove--
a zephyr
between the tents of vendors--

the art of swimming is
something that takes practice--
my father would pick me up
& we would open the green
door from the sun room--
carve our wooden gills
& wriggle between the wooden
bodies hanging on the walls
all the way down to my room--

an octopus garden--
the whistle of a hinge--
our god had the hands of a fish carver
living out of a trailer of his children--
you with the flounder body--
& you with red lobster faces--

carpet into sand & night into
abyss-- this hallway cuts itself
deep into the hull of the house--
a trench-- a memorial
to the idea of being taught
again how to swim--

these legs into fin--
my father again a fish market trader--
finding a new place on the wall
to hide a child--

our ocean was a yellow one--
our bodies destined to float--
our hallway wore darkness
like the belly of a stone--
on our back we coasted
to our beds-- dreamed of a god
with a pocket knife
& a hunk of wood in the market
groove
where the wind pulled the branches
of the willow trees like fish tails--

read me a story about swimming backwards--
carry me again father
like you would a beer bottle--
carve my gills for me--

let's practice swimming 
in the hall-- 

 

06/06

elevator 

i know where
to move to-- it's not
so much a choice as it is
a calling--
i piled all my belongings
on the curb next to the old
stone-eyed televisions &
sunken cheeked couches--
drowsy from rain & sun--
you asked me how we can take
so long to own so many things--

i'm going to take a bus
to the city & find the biggest
building-- 
i'll put on a suite
& a fedora with a red feather
or maybe a tight polka dot
dress & glasses on the tip
of my nose-- i could become
anyone there & live where 
everyone is going
& no one is stopping-- even me--
i'm getting taller & taller 
& challenging the sky scraper
next to me to stretch herself
until her head hits the moon--

i'm the witnesses to the
people who enter 
the elevator-- morning 
chews metal doors--
we blink like an amphibian--
they look down at 
their shoes to check
if they're still touching
ground-- we fly--

a man with a jack russel
terrier eats a fist
of lays potato chips 
& a woman with a bunch
of light bulbs piled high  
in a card board box checks
her watch-- we go
up-- we go up 

     we  go  up

we  go  up

i tell them farewell
on their floors & they wonder
where i'm getting off
& i grin to myself
because what they don't know 
is that i live here now
in the corner of the elevator
in suspension of time
in the teeth of the machine

the sensation of falling 
is hard to recreate

we  go  down

       we  fall

we  go deeper

we fall farther
than the elevator intended--
i came her to extend
our pathway--
when no one is looking 
i add buttons for floors--
-1, -2, -3
go deeper with me i'm taking
you with me--
you could move to the
elevator too-- we'll
make a city on the curb
where our lives used to be 

we go higher

   we  go  high

open up in a tangle-hair 
sky-- this is above the
sky's mouth-- this is where we
stop moving--
this is the floor where only
i got off--
everyone else had a place to take
their umbrellas
& the woman with the box full
of light bulbs has a lamp
to come home to
& the man with the jack russel 
has a chair to catch him--

when  i  open the doors

   there is   only  sky

you  warned  me

  not  to  live like
        this

instead i get off on
only the second
floor with a red-haired lady 
clutching
a stack of magazines to her chest--
i want to ask her if she'll read them--

i go into an empty cubicle 
that isn't my own & look out the
window & think how
much taller i have been
& i regret only momentarily 
the passing of the cities i
have owned-- scooped off
a curb

we can disappear so so
quietly-- like the
door of the elevator
gliding shut

this is where i get off--




 

06/05

these sand castle bodies, water fountain lakes &
instructions for my burial--

god builds us like sand castles--
gets down on his knees-- 
pockets full
of twig & acorn--
he points:
this is the draw bridge--
the mote-- the look out tower
& the flag made from a maple
leaf--
 
i spent a childhood
wearing sand in between my
toes from the pit at the park
where the hornets nested in the
rafters & the purple 
dinosaur ate mulch
from my hand--

when i die i want to be buried
next to my lost shovel &
plastic brontosaurus somewhere
at the bottom of the sand box
at the park-- i used
to want to be cremated
but i want to come back
& find all the lost toys
buried somewhere underneath
another collapsed
fortress-- these bodies
these bodies 
as strong as sand--

take a bucket of water fountain
& pour us a lake-- wet
sand to build the walls--
now you know what it's like to feel
sturdy--

i used to want to be 
cremated so someone could
open their hand & all of 
me would blow
away-- 
a playground
so much about returning
& leaving--

i once made my mother 
promise before
we went home for dinner
that my castle would 
be there the same as i left it
when we would come
back the next day--
i took a stick & wrote
Please Do Not Destroy 
in the sand--
i lingered only for a moment before
putting on my socks & shoes--

it was of course gone 
along with my petition & 
in the background the tall swings 
shuttered with the weight of
ghost children's bodies
telling their friends to
push them higher & higher
& higher

at night we bury ourselves
in the sandbox & wait for
everyone to return--
this is our homecoming--
this is where we lost 
shovels-- this is where
the water fountain becomes
a lake & children become
the ones who always knew how
to build castles--

when i die build me a 
sandcastle body-- let the rain &
the wind erase me--
write my name in the
sand with a nice stick & come
back the next day 
to make sure i was
eaten like a handful of mulch
in the mouth of a purple dinosaur-- 

 

06/04

smaller

we became increasingly fascinated
with the art of making things smaller--

1.
we all get microscopes
at some point--
mine was back when we lived
on main street next to 
the park--
i dove into 
the wings of house flies
from the black eye piece--
each fiber a back country 
road with corn husk eye lashes--
everything small is so so 
vast--

2.
when i was 12
my neighbor, my younger brother, &
i made after school
together-- stood
on the tree stumps 
in the front yard &
made believe we were taller--
traced the rings to remember
every winter the trees
had seen-- each go around 
the fiber of a fly wing--
there we perched on top of
the obelisks of our childhood--
there the telephone poles lurched
to keep up with the increasing
weight of the sky over us--
this is how you close
your eyes & teach everything
else to shrink--
this is when you feel naked
as a microscope slide-- 
i followed my own veins into
the corn--

3.
at school
girls got older--
     as is inevitable-- 
got lost in the hair 
of park trees-- hung upside down--
kissed each other to 
practice for boys--
it is nearly impossible to
remember the first person
you 
fall in love with
as anything more than a 
telephone pole to prop up
an edge of the sun set--

4.
there is a place
in my home town where you can
stand & look out over the high ways
& see everywhere
you had walked

5.
i have been there twice 

6.
there is a cemetery
in my hometown prickly
on the back of hill out behind
the church were most of us
were once girl scouts--

4.
the first time i looked at the
whole town it was
my neighbor, my brother, &
i & it created the sensation of
falling--
this might be my favorite memory
of considering death--
the cars rushed 
on the highway at the foot
of the lookout far below &
if you closed your eyes you
could pretend they were a river
ready to catch you--

5.
i have been there twice--

4.
dark the town blurs into
a crop of stars-- 
my best friend & i leaned up
against the hood
of my mother's blue station wagon--
listen to the ocean at
the foot of the hill--
we didn't say anything profound
& we didn't stay there very long
but if i could go
back i would tell him i loved him
enough to make a mountain--
i would tell him that sometimes
love makes us feel 
smaller--

6.
there is a cemetery
on the back of hill--
a thick torso tree
reaches up to greedily grab
at the moon like an empty saucer--

6.
the tree we all kissed under

7.
the blood moon
made us all climb the graveyard--
it was all of us
who had ever become small together--
my neighbor-- those girls--
my best friend who is so small
now that i haven't seen him
in years--
we don't move in the memory--
we don't get older--
we roll in the grass
on the cemetery hill--
we drink honey suckles
at the foot of the hill--
we kiss each other only long
enough to see through
each other into the
threads of our fly wings--
count the winters in our palms--

4.
this is where
we remain small--

5.
i have been there twice

6. 
the lips we all shrank beneath

7.
the words we left
in high places--

1.
the microscope we all 
became--

1.
the smaller

1.
the smaller

1.
the smaller we became
as we learned the places
we could escape falling--

7.
this is where
the moon is a saucer--
where the trees in the front
yard fall-- where
we walk down the corridors
of insect wings
in an attempt to 
become smaller-- where
we are each our own 
telephone poll laboring
to sustain the sky
from the ground--